The best recorded holy well in the Cambridgeshire is that of St. Audry’s Well (TL 540 801). It is noted in the 12th century that a spring arose at the place where the saint was first buried
St Audry or rather Ethelreda or Æthelthryth was an Anglo Saxon saint who was a 7th century East Anglian princess, one of four saintly daughters of Anna, queen of Northumbria and Abbess of Ely. Interestingly she was born at Exning in Suffolk where a well is also associated with her. She died and was buried at Ely and it is recorded by Bede that when her body was disinterred her body was uncorrupt as such her powers and clothes were said to have special powers. She was reburied in the Cathedral and her shrine remained until the reformation. She is best known for the term tawdry for rubbish, a term which derived from the poor quality clothing sold at fairs on her feast days.
In the 12th century it is reported that:
“If any sick people take a drink from this spring, or have been sprinkled with its water, it is reported that they subsequently recover their original vigour…. in account of her merits, are acquainted with remedies and assiduous in curing the sick”.
It is noted that the monks made the spring site into a pit like cistern so that they could collect some of their water. Several miracles are associated with the well. One tells how a blind woman washing her face and eyes became able to see, how a man travelled from Northamptonshire to be healed and found the door locked. He was apparently barred entrance and was told that there was no bucket at the well and nothing to collect it with. He did not take no as an answer and so barged his way in where he found the well overflowing into the courtyard and thus cupped some water into his hands. He evoked the saint’s name and as he did so begin to recover. Another story tells how a woman fell into the well after accidently being pushed in by a crowd at the well. She was apparently left in the water for two hours and was found still alive by the monks.
The established site of the well is at Barton Farm to the east of the Cathedral. The site is shown on a Moore’s map of the fens dated in 1684 shown as St. Aldreth’s Well. According to Hippisley-Coxe in his 1973 Haunted Britain this site still survived as a muddy pool in a clump of elms near Barton Farm. The spring fills a small tree lined pool on the edge of the grounds of Ely’s Cathedral School, which has absorbed Barton Farm, and the Golf course. There does not appear to be any evidence of fabric but at some point, some brickwork has been used to create a channel to allow the water to flow way showing that the spring is still active.
Conversely the metrical Life and Miracles of St Æthelthryth by Gregory of Ely, c.1120 states that ‘the holy precinct of the church includes a spring’, but does not identify this as a holy well; the original grave of St Audrey lay:
“somewhere in the vicinity of the former Bishop’s Palace, the area close to the Fountain Inn, and the present St Mary’s Church, where the water-table is high.”
This was where:
“…where the people of the neighbourhood do now resort to drink the waters of it, it being a sort of mineral water”.
This suggests two things, one that it was an arrangement like current St. Withburga’s well at East Dereham and that it was nearer the Cathedral. Indeed I was shown by Mr Hart of Ely School a possible alternative site, a small duck pond in the grounds of the Bishop’s Palace. This however although might be a more likely sight indeed it lay across from the school’s old chapel and in the shadow of the Bishop’s Palace.
Details in Holy Wells and healing springs of Cambridgeshire and the Isle of the Ely.
In early May I had the pleasure to present my interim findings of my study into votive offerings at holy and healing wells at the #rituallitter workshop at the University of Hertfordshire (more in a future post hopefully). My presentation particularly focused on rag wells, or as has erroneously been applied nationwide, clootie wells (see this post). This lend me to exploring the custom in the wider geographical context and as I am monthly recording holy and healing wells globally, this month I decided to detail three rag or loque wells (strictly sources a loque) in France. However, a map below will show the distribution of the wells across the county that I am aware of so far.
Research indicated as a custom this is just as vibrant as it is in Britain although in most cases the visitors adhere more often to rags, but as can be seen personal items can also be left
Interestingly the custom is most frequently encounter in the Nord Pas de Calais region and into Belgium. (It is also interesting to focus on holy wells not in Brittany as well) Furthermore, it is an activity associated not only with springs but calvaries, chapels and trees as well – none of which are associated with a springhead.
However typical site is that of St Latuin’s Well, at Clerey Belfonds near Seez. A site which is associated with an evangelizing saint, the envoy of Pope Boniface I who is said to have built an oratory at the spring. He was famed to for converting pagans by healing the death and blind. The curative reputation of the spring harks from curing the blindness of a local widow he stayed with when he arrived there.
At the well, pilgrims would pray first to the saint and then wash at the springhead, hoping to cure skin diseases, fevers, scabies and eye aches. Indeed even the plague was thought to be cured. The site was so popular in the nineteenth and twentieth century that it prompted the expansion of the town. The legend of how the spring, a red chalybeate spring arose is told in Charles Corlet’s Legendes de Basse-Normandie d’Edouard.
“Saint Latuin or Lin passes to be the first apostle of the Orne, It is attributed the foundation of the cathedral of Sees. Saint Latuin, on arriving at Sees, took refuge in a poor woman, a widow whose daughter had been blind for many years. The saint restored the sight to the unhappy woman, and then, preaching in public the word of God, performed many miracles of healing. Satan, annoyed at the beneficial action of the saint, aroused against him Fatisie, who wished to take revenge on the saint who had refused his advances. Fatisie intimated to Latuin, on penalty of death, to cease to preach in Christ’s favor. The saint paid no attention to these threats, but his disciples advised him to retire for some time. What he did in the forest of Clairay. There he set up his oratory near a fountain. His tranquility was short-lived, for Fatisie sent murderers to him with the mission of killing him and bringing back his tongue. At the approach of the saint, the murderers prostrated themselves and converted to the Christian faith. As they were to account for their mission, they consulted the saint in order to know the best way to deceive Fatisie. Latuin advised them to kill their dog, to take away their heart, and to defile their clothes with the blood of the animal. Fatia soon died of a fatal death. But the waters of the spring were tinged with blood. Latuin returned to Sées. He often went to his hermitage. It was in this place that death took him peacefully and he still worked miracles.””
Today the spring fills a large square stone basin beneath a statue of the saint dressed in Bishop robes holding a crozier and those coming to cure complaints have tied rags to the top of the metal fence surrounding it. The spring and its church are now the location for an annual pilgrimage. This year on http://www.ville-sees.fr/dimanche-24-juin-pelerinage-saint-latuin/ website it recorded:
“25 years ago, the association “Les amis de Saint Latuin” was created to offer the pilgrims of Saint Latuin the annual animation of the pilgrimage and to ensure the restoration and maintenance of the church of Cléray , Its cemetery and its fountain. On Sunday 24 June: 7.45 am: laudes at the cathedral, 8 am: departure of the march towards the church of Cléray (7.5 km), 10.45 am: gathering at the Cléray fountain, procession followed by the Mass chaired by Bishop Habert. “
In La Croupte, is a spring dedicated to St Martin, with its 15th century chapel. Near here is a statue of the saint festooned with ribbons and different socks, particularly baby socks, close to the springhead. Why are there socks? The spring is said to help children suffering from rickets and hence helping children to walk.
After praying and lighting a candle the clothes or socks are attached nearby. It is recorded that other saints are prayed to according to the healing required as it too cures skin and eye problems. The springhead fills a square basin surrounded by a metal fence upon which the votives are attached.
The final spring is that associated with a sacred landscape of Pre D’Auge, Calvados I Basse Normandie. Indeed it is unclear in this case whether the tree is more sacred than the spring head. Both are named after Saint Meen’s. This is a site which associates with a ragged oak which generations upon generations have attached rags to. The oak itself being called the Oak of Saint Meen, thought to be over a 1000 years old although it is now hollow and in the hollow is a small wooden statue of the saint (it is said that the original remains in a local castle). Indeed, there was concern about the condition of the oak and that in 2009 its final branch was removed and all that is left is the oak. However, the owners of the land concerned that the tradition would disappear ensured that two other oaks can replace it should the time come, one being planted in 1920 and the other in the 2000s. The hulk of the original tree has not prevented the pilgrims attaching rags which range from strips through to handkerchiefs to whole clothes. The spring is said to cure skin complaints and like at other springs, the cloth is first immersed into the spring and applied to the skin, before being left.
The rationale behind the springs use is related to the Saint, who was Breton monk who travelled these areas converting the pagans, who would appear to dislike rudeness and selfishness. It is reported that when on a journey to Rouen, thirsty he rested in the village. Seeing two young girls he asked them if he could drink, one said she would help but other complained about the scarcity of water and refused. As a result, he caused the spring to burst forth to thank the helpful one saying to the less than generous one:
“You will be covered with pustules and you will be obliged to come and wash yourself there praying to ask for your cure which will remind you of your lack of charity.”
A good reason to justify a rag well not doubt!
Our Lady’s Well (SO 814 173) is certainly one of most interesting and picturesquely placed Holy well in Gloucestershire and one of the best near the city of Gloucester, overlooking as it does over the Severn valley. The spring itself issuing from the sand/bunter pebble stratum, probably of glacial origin, and fills the well house overflowing to fed a large stone trough replacing the previous structure.
Traditionally it is believed that the well was built by the Canons of St Mary’s Priory, of Llanthony in the 14th Century ( the ruins of which are presently being restored and can be visited ). However, another tradition asserts that the dedication of this well is that of St Anne, rather than St Mary which we shall explore later. The water of the well was associated with medicinal virtues and cured any ailment bathed within its waters. Indeed as Walters notes it may well have been a place of pilgrimage. Another tradition is that it is referred to as Lady’s Wash house being were the ancient ladies washed!!
An engraving of Our Lady’s Well is given by Maclean 1888–9 who describes it as
“a small cell or chapel erected over a well… The plan is nearly a square of 7 feet, on a wider basement. The east and west ends are gabled; in the latter is an ogee door, and a narrow ogee window of one light. On the east end is some sculpture, which seems to have been a rood. The covered roof is of stone, and the ridge is finished with a rib. The whole is of good ashlar masonry. This little building stands on the side of rather an abrupt slope, overlooking the valley of the Severn. A fine thorn tree which overhangs it adds much to its picturesque beauty.”
The well-house is probably of early fourteenth-century date and made of oolite limestone. The pitched roof, is comprised of large slabs of this stone, of which rebates have been cut to ensure overlap and keep watertight. The north and south sides are plain, however the of the east side are the worn remains of a sculptured carving. Remains of steps are visible on the north and south sides of the structure.
In Maclean’s time this was built in, but afterwards it was opened, being blocked for a time by an iron door
A curious discoverer
Roy Palmer in his 1994 Folklore of Gloucestershire describes a legend that the Virgin herself discovered the spring. On her way to visit Joseph of Arimathea at Glastonbury, her boat was washed up near here by the Severn Bore and climbing the steep slope from the Severn and found the spring. However he is the first to record this most curious of legends!
Who is the carving?
The sculpture on the east side has been variously interpreted. The virgin addressed by kneeling figures was Ashworth (1890) xxx suggestion. Bazeley and Richardson (1921–3) xxx :
“the central figure is a woman, probably St. Anne, standing between her daughter St Mary and an angel or perhaps her husband Joachim.”
They say that ‘Mr Hurry of Hempsted Court mentioned a tradition of two children being drowned in this well while bathing’, and the carvings may have been popularly supposed to commemorate this. It has also been suggested that the site was of pre-christian importance and was derived from Wan, the pagan god of fire, later becoming St Ann although the lateness of her cult, which is 14th century suggests not.
Holy Well or Wash House?
The well lay on land belonging to Llanthony Priory as a water supply and the well was thus a conduit. Its alternative name was called Our Lady’s Washhouse and Ashworth (1890) notes that many who washed in the waters were relieved of their infirmities and that this was the reason it was called Lady Well or Lady’s Wash House. Another notes that it was where as Walters (1923) notes:
“it was a place where ancient ladies washed”
They would find it difficult to wash from now as it has been dry. However, the well is still easily found by taking the road to Hempstead before Gloucester and after the roundabout. Take this road and then turn into the road of the church. Park here enter the graveyard and follow to the other end where there is a gate. Enter this follow the path between the hedges and into the field and the well will be quite self-evident.http://www.megalithic.co.uk/a558/a312/gallery/England/Gloucestershire/lady_well_hempsted.jpg
Hidden deep in the woods on St. Anne’s Hill is the mysterious St Ann’s or Nun’s well…mysterious for many reasons, least of all its difficulty in finding (although read at the end of a sure-fire way to find it)
St Ann’s well or Catholic folly?
Although the first account of the well is by John Aubrey in his 1718 Surrey he describes it as:
“Westwards of this Town, on a steep Hill, stood St Anne’s Chapel, where, in the Time of the Abbots, was Mass said every Morning… Near the Top of the Hill is a fine clear Spring, dress’d with squar’d Stone.”
Manning and Bray in their 1809 History and Antiquities of Surrey similarly do not name it only stating it was:
“a spring, lined on the sides with hewn stone”
It is only in S.C. Hall’s 1853 Chertsey and neighbourhood that the name appears. It is also curious that the the current structure does not resemble that shown in Hall’s work either more in keeping with Aubrey’s description. It is probable that as the site was gaining a more religious name that it was getting a new structure. This is probably to do with the then owners of the hill, Lord and Lady Holland, who had converted to Roman Catholicism which would explain the improvements in 1850s and its associated with the saint and closer affinity to the chapel. This lending it to the idea of being a sort of romanticised folly.
The chapel itself is first mentioned in 1402 as the capella Sancte Anne is recorded although a chapel was licensed in 1334, but in 1440 St Anne’s hill was still the “hill of St Anne… otherwise called Eldebury Hill.” when a fair was granted which continues today although not unbroken as the Blackcherrry Fair in the town. The chapel is associated with an Abbey which was founded by St Erkenwald in 666 and such the cradle of Christianity in Surrey but it is a big jump to assume the well dates from then. This chapel remains on the hill, the guide in the car park refers to a mound near the house but the nearby mysterious Reservoir cottage incorporated most. However, it is improbable that a considerable amount of water would have been left untapped. The area was a hill fort whose exact history is unclear due to the predations over the centuries, but a Bronze Age date has been suggested.
A Topographical History of Surrey by Edward Brayley and Edward Mantell (1850) state
“and up to within recent years the country folk round about have been used to fetch away water from it, in the belief that it has virtues as an eye lotion. It has a strong taste of iron; would that be good for the eyes?”
Manning and Bray in their 1809 History and Antiquities of Surrey were stating that the waters were:
“not now used for any medicinal purpose. It rarely freezes when other springs do”.
Yet Hall (1853) under the name Nun’s Well states that:
“even now, the peasants believe that its waters are a cure for diseases of the eyes.”
Looking at its dirty murky waters today one would suggest it might cause as many eye problems as it cures!
Ghostly goings on!
Long in his 2002 Haunted Pubs of Surrey records the legends associated with the hill. It is possible that the nun’s well name may derive from a legend of a murder of a nun at St Ann’s convent who was buried in a sandpit. The veracity of this story and even the location of a convent is unclear. The well, it is said being the resort of the nun:
“whose deep begging signs can be heard on certain nights…on such a day, this place reeks of remorse, suffering or sorrow.”
On a spring evening with no one around one could quite imagine such ghostly cries.
A prehistoric landscape
In A Topographical History of Surrey by Brayley and Mantell (1850) it notes:
“Another curiosity is the so-called Devil’s Stone, or Treasure Stone. Aubrey calls this “a conglobation of gravel and sand,” and says that the inhabitants know it as “the Devil’s Stone, and believe it cannot be mov’d, and that treasure is hid underneath.” There have been many searchers after the treasure. One of them once dug down ten feet or more, hoping to come to the base of the huge mass, but his task grew unkinder as he got deeper, and he gave it up. He might well do so, for what is pretty certain is that he was trying to dig up St. Anne’s Hill. All over the face of the hill there are masses of this hard pebbly sandstone cropping up, though they are not so noticeable as the so-called Devil’s Stone because they are flat and occasionally crumbling, and have not had their sides laid bare by energetic treasure-seekers.”
Such stones are often found in conjunction with stones and the treasure may suggest the giving of votive offerings. The combination of a healing spring, an ancient stone and as the name of the hill might suggest a sacred tree is something of considerable interest to those interesting in sacred landscapes and suggests a possible old cult hereabouts. The existence of a ghostly nun may also be significant, there are near identical legends at Canwell and Newington Kent and, the later associated with another Devil’s stone. Do they remember old pagan deities, water spirits who lived by the spring? But this is the only evidence, the old writers are silent on anything more! My musing are just that musings!
The well today is indeed a substantial is ruined structure. It resembles an ice well in structure, its plan being a key shape with a rectangular basin and a dome over the source, although this is difficult to locate. Much of the dome has been weathered and ruined by the ages and being built into the earthen back this has preserved it. The brick work is a curious mix of redbrick, iron slag, cobbles and some older possible reused squared medieval stone work.
Another healing spring?
In their A Topographical History of Surrey by Brayley and Mantell (1850) again:
“Another Spring, once highly reputed for its medicinal virtues, rises on the north-east side of the hill, in the wood or coppice called Monk’s Grove, which gives name to the seat inhabited by the Right Hon. Lady Montfort. This spring, according to Aubrey, had been long covered up and lost; but was again found and re-opened two or three years before he wrote. The water is now received into a bason about twelve feet square, lined with tiles. “
James Rattue in his indispensable 2008 Holy wells of Surrey found this site stating that it resembled in part the Nun’s well and was clearly part of the landscapers attempt to improve the area. It was a dry circle of brickwork and filled with leaves. He describes it as being on the flat part of the hill. However with his instructions, OS reference and old maps showing a spring I failed to find it – although I did find another spring overgrown in the rhododendrons.
However, despite this author and others claims I did find the Nun’s well easy and here the fail-safe way to find it. Don’t go through the car park and continue along the road, passing the second car parking area in the dingle and then as the lane drops just past a house on the right there is a signposted public footpath. Take this and continue until passing a crossroads of another public footpath just past a hedge in the field on the left. As you past this and before the path you are on drops into a series of wooden steps there is a path to the right where the Nun’s well can be seen – simple! Good luck!
Down a lane away from the village in quiet solitude is St Ethelbert’s church at Marden. It is a church associated with a saintly legend and a location of particular interest for anyone concerned in water lore; for two pieces of local legend are recorded both with familiar motifs. Perhaps the most familiar one is associated with the strange find in a carpeted room to the left of the entrance. Here sadly dry is St. Ethelbert’s Well. The earliest record is John Duncombe 1804 Collections for a History of Herefordshire
“At the west end of the nave, defended by circular stonework, is a well about ten inches in diameter, about four feet below the pavement of the church, aspring supposed to arise from the spot in which the body of Ethelbert was first interred…. This spring is said to have been held in great veneration from the circumstance of the water retaining its purity, when overflowed by the stream of the Lugg, however muddy or impure.”
Charles Hope (1893) in his Legendary Lore of Holy Wells also records:
“MARDEN: ST. ETHELBERT’S WELL. THERE is a well in the church of Marden, Herefordshire. It is near the west end of the nave, defended by circular stone-work, about ten inches in diameter, and enclosing a spring, supposed to arise from the spot in which the body of King Ethelbert was first interred, and is called St. Ethelbert’s Well (Notes and Queries, 3 S., viii. 235).”
Jonathan Sant in his 1994 The Healing Wells of Herefordshire notes:
“Formerly to be seen at the west end of the nave, St. Ethelbert’s Well has recently been swallowed up by an extended vestry where it can now be seen incongruously surrounded by carpeted floor. The octagonal stone well-top is apparently late Victorian but the square top within the shaft below is doubtless older. Needless to say, the table which has been built over it is very modern and prevents small children from falling down the well”
The well is much as Sant describes although there have been recent talks of an improvement to make a more appropriate structure although that could possibly ruin this strange well. He records water in it as well, it was dry when I examined it in April of this year.
What is particularly strange is that once the wooden lid is removed this is a deep shaft well. Very few holy wells are such deep shafts, the majority being shallow springheads. Perhaps this suggests that this could as Sant suggests provide pure water even when the river was in flood. Its depth may also suggest a great age indicating how the ground level has risen as the years have built up more sediment. The church guide suggests it had a healing tradition but I am unable to find their source, similarly they claim the well and church were a place of pilgrim, likely but again no written evidence. Current pilgrims have thrown coins in the well as can be seen.
The legend of St Ethelbert’ or Æthelberht’s Well
Overlooking the village of Marden are the scant remains of Sutton Walls now a tree covered hillfort. Here local tradition record was the royal vill or sort of temporary villa of the great Offa of Mercia the scene of the saint’s murder.
According to the Anglo-Saxon Chronicle he was captured whilst visiting his bride to be Ælfthyth. Richard of Cirencester records that Offa’s queen Cynethryth convinced Offa that Æthelberht should be killed, although there is no evidence why. Although it was likely political as Æthelberht was King of the Angles and Mercia had domination over East Anglia and would be keen to stop any possible claimant under control.
One legend tells that he sat upon a chair with no seat a trap door of sorts, the whole being covered by a cloth and that he fell down the hole, a deep pit, his head being removed to ensure that he was dead. Another tells how he was smothered in his bed clothes. All accounts record his beheading, but some say that this was done in Offa’s presence. The body being hastily buried with the head beside the river below.
Discovery of the body and formation of the well
The legend is told in a panel upon the 2008 shrine to the saint in Hereford Cathedral but it is absent in the first version of the story which is restricted to the shaft of light subsequent tellings have mentioned the spring.
Issues with the legend
Considering the well head’s location and the church’s remote location it is more than likely that the church was placed here because of the well. However, does this make the well date from St. Ethelbert? Although, one would not miss to pour water upon the county’s famed legend, there are concerns that it might.
Hagiographers will notice that the religious features his martyrdom closely resemble that associated with the legend of St. Kenelm. This is best summarised by Edith Rickert’s 1905 article The Old English Offa Saga. II in Modern Philology Vol. 2, No. 3:
“At this point, however, mention must be made of another legend, that of St. Kenelm, which shows a curious relationship to the story of Ethelbert. The resemblances are these: a) Each saint, by the ambition and malice of a wicked kinswoman, was treacherously lured to his death and beheaded.’ b) The murderess in each case perished miserably by super natural intervention.2 c) Each saint had divine foreknowledge of his death in a dream or vision in which a beautiful tree was cut down and he himself was turned into a bird and flew up a column of light to heaven.”
Overall it suggests perhaps that the St. Ethelbert legend was a transfer from St. Kenelm (or vica versa) but if it was a concoction why? The other legend that of the Mermaid may give us a suggestion why….but we can discuss this in a future post.
It is nice to easily find a holy well for once, for Rhuddlan’s St Mary’s Well lying as it does in the grounds of Bodrhyddan Hall, is easily seen by the side of the drive to the hall (the gardens of which are open Tuesday and Thursday afternoons and well worth exploring)
Pure folly or holy?
What greets us today is a typical folly building but does the well have any provenance before the current construction. The earliest reference is as Ffynnon Fair and is made by Lhuyd in 1699 however it does not appear on an estate map until 1730, although an engraving on the fabric of the well states emphatically 1612! Significantly neither of these dates are associated with any traditions and there appears to be no pre-Reformation reference.
The only hints of its importance are traditions of clandestine marriages at the well, although it is possible that this is a mixed up tradition with a more famous Ffynnon Fair at St Asaph. The other hint is found in the hall, where a possibly unique stone fish inserted in the flooring of the hall shows the boundary of the parishes and as you may have gathered regularly reading this blog many holy wells mark parish boundaries. Neither pieces are particularly emphatic!
The well itself is a delightful edifice consisting of an octagonal stone four metre well house and adjacent stone lined ‘bathing pool’. The well has arched entrance with cherub kerbstone. Inside the rather cramp well are seats around the inside and although access to the water is prevented by a metal grill. On the top of the well house is a carved pelican and a stylised fish (more similar to classical images of dolphin) pours its water into the cold bath which is surrounded by a stone ballastrade.
Keeping up with the Joneses?
One of the biggest issues with site is who built it. On the well house it is proclaimed that Inigo Jones was responsible. Jones was a noted architect and garden designer, so the building has the appearance of something he could have built, the date was when he was at the height of his fame so it is surprising nothing more official is recorded. Was this a local of the same name or the family adding the date and person at a later date to impress visitors? Certainly the building looks late 18th or early 19th century, probably being built when the house was restored then. Whatever, the well is part of a larger landscape including other wells, tree lined walkaways and now a summerhouse above a landscaped pool.
Its absence in 1730 but present on the 1756 one suggests not. Furthermore, Norman Tucker 1961’s Bodrhyddan and the families of Conwy, Shipley-Conwy and Rowley-Conwy states that the lettering is on the wrong period! Another possibility is that the architect may have been involved with designing the gardens and when the well was constructed later as the central piece the date of the garden design was recorded…but of course this does not explain who the well’s designer was!
Wishing well or healing well?
Today a sign, rather tacky to my mind (and I removed it to take photos) claims it is a wishing well. Visitors have certainly have paid attention to the sign as the well is full of coins. It is worth noting that although there is no curative history to the waters, anecdotally its powers could be significant. All the owners who have drunk from the well have lived to a considerable age, indeed the present owner is in his 100s I believe. Perhaps it might be worth bottling it!
Whatever its origin the well is a delightful one and certainly a change from muddy footpaths, negotiating brambles and nettles and getting completely pixy led…and there a nice garden and fascinating hall to see too.
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St Trillo’s Well has been on my personal must visits for some time. It is not only a unique site being a chapel enclosing a holy well – a rare survival – its location tucked under a seaside road, a juxtaposition between the seaside houses and the promenade and the sea makes it one of the most unusually situated. It is everyone’s classic view of an ancient chapel, privately arranged and simply adorned and whilst it may not be as old as first assumed it does have its own unique charm.
I was particularly concerned that it may be open. Being a chapel I am always wary that like churches – urban areas and access do not often work. Yet parking above it, now almost hidden by shrubs and the hill itself, the path led to the railed enclosure which was open and walking around I pushed the old wooden door, it yielded and I was in. As soon as one enters, one is overcome with a feeling of peace. Whatever frivolities gone on outside feel an eon away. As a chapel it is very unusual, being claimed with its room for six chairs, to be the smallest church in Britain. This is no folly but a functional place of worship for the congregation which meet for communion on Friday mornings and those more intermittent visitors who leave votives and prayers. For perhaps uniquely again for a British well, the saint’s intercessions are still asked for via its well.
Many years ago historians thought that the chapel dated from the early medieval, even from the 6th century times of the saint. However, whilst it is very likely that the present structure is built upon this original hermitage it is much more recent. Generally it is thought to date from the 1500s. Francis Jones in his 1954 Holy Wells of Wales notes:
“In the Denbighshire parish of Iscoed, a certain Angharad verch [daughter of] David, examined in 1590 before Roger Puleston of Llay, the local Justice of the Peace …resolutely refused to conform “by reason of her conscience.” In answer to further questions concerning her marriage, she declared that the ceremony had taken place last harvest time at a place called Llandrillo Chapel near the sea side in Creuddyn whilst she was on a pilgrimage to St. Drillo’s [sic] well.”
Such a visit suggests a pre-Reformation importance to the site especially as the date, in Harvest, suggests a regular pilgrimage as this was a popular time to go. Thomas Pennant visited the site in the late 1700s and described it as:
“… saw close to the shore the singular little building called St Trillo’s Church. It is oblong, has a window on each side and at the end; a small door; and a vaulted roof paved with round stones instead of being slated. Within is a well. The whole building is surrounded with a stone wall.”
Clearly what is seen present despite in its ancient appearance is Victorian in nature for in 1892, a letter in Archaeologia Cambrensis by folklorist and cleric Elias Owen (author of Welsh Folk-Lore) described it as :
“I was sorry to find that the vaulted roof had fallen in, that the well inside the chapel was covered over with the debris from the roof, and that the whole structure and its surroundings presented a ruinated and uncared for aspect.”
This concern was headed and in around 1898 two buttresses were erected to support the seaward side, a cross was inserted into the gable and more importantly a new roof. A stone altar was inserted over the well and stain glasses of Saints Trillo and Elian installed. An account by the Royal Commissioners who visited in 1912 happily describe a better condition, being described as:
“A small building, internally eleven feet nine inches by six feet three inches, standing on the sea shore within reach of the highest spring tides, and sheltering a small spring of clear water which traditionally represents the well of the patron saint of the parish. The building is roughly vaulted, and, according to earlier accounts, the vaulting was effected in the primitive manner of the earliest Christian oratories … It is, however, doubtful if the chapel is not far more modern than it is assumed to be.”
It has remained well looked after ever since, being adopted by the church of Wales who have a rather intimate Eucharist ever Friday at 8 am during the summer.
The Holy well
The first thing to notice is that the well is central to the chapel’s function being positioned in the centre beneath the altar. It is covered by a metal grill and two wooden slats. Upon removal two steps appear, suggesting perhaps that the water was easier lower or else individuals entered it for baptism. Indeed, baptism appears to be the only recorded function for its waters. The water is clear and arises at the foot of the hill being channelled into the well chamber by pipes. It is clear that it was the spring which caused the saint to establish a hermitage here.
Of the well the first post Reformation reference to its powers is made by Evans (1802) who briefly notes
“St. Trillo’s Chapel: inside is a well, formerly much esteemed for the sanative virtues of its waters; it was supposed to have been the constant residence of the saint.”
But despite this and such postulations by Colt Hoare, who visited the well one July in 1801 noted it was:
“once probably held in high veneration for its miraculous qualities.”
But stated nothing more. Interesting there are no ‘modern’ traditions of the well and it would appear it has become a largely supplementary feature to the chapel’s powers via the intercession of St. Trillo.
Who was St. Trillo?
St Trillo who is shown with fellow local saint St Elian, in two small stained glass windows in the chapel, was the brother of two other saints, Tegai and Llechid and was a monk of Bardsey Island before settling here. He is also saint to have been involved with the Diocese of Bangor Diocese. However, like many 7th century saints little is really known.
Located as it does seems an unusual place for a holy well perhaps but as Francis Thompson (2008) in his Early Hermit sites and Well Chapels states its location is not that unusual. Indeed, along with cliff races, islands and valleys, it was another ideal location for a hermit to reside. Furthermore, it was a very fortunate place to be, the sea would provide a harvest and even today the rock pools are full of winkles, mussels and edible seaweed. The survival of a medieval fish trap a few yards from the chapel is also significant and may have been the occupants attempt to provide a more substantial harvest by trapping fish. Not only would such a location provide a bumper food supply, fishermen may have provided money in thanksgiving or offerings for a profitable and safe fishing.
This giving of thanks or asking for the saint to intercede with God is still very much an important role for the chapel. On the altar are a range of curious items, votive gifts of thanks and on a board petitions are regularly attached. Tristan Grey Hulse in his 1995 A Modern Votive deposit at a North Welsh Holy Well for Folklore, Volume 106 recorded the range of requests. The author notes:
“Thus the sudden and spontaneous development of a new religious cult practice at the chapel is a fact of some importance, likely to be of interest to students in a variety of disciplines. I have visited Capel Trillo many times over the past fifteen years, but beyond noticing the odd coin thrown into the holy well, I had never seen the chapel otherwise than described above. But paying a first visit in 1994, on 21 April, I encountered a significant change. There were more flowers than usual, in pots on the window-ledges as well as on the altar. There was a crude but exuberant and colourful painting of St Trillo standing by his well propped against the altar; and the altar-table itself had scraps of paper scattered across it. Each of these contained a handwritten prayer or request for prayer. There were seventeen in all. Intrigued by this unexpected development, I copied the texts.”
Doing further research, he noted:
“The present custom apparently began in the summer of 1992. Arriving as usual one Friday morning to celebrate the Eucharist, the vicar of Llandrillo, Canon E. Glyn Price, found a single piece of paper impaled on a nail sticking out from the wall of the chapel, containing a hand-written prayer. Touched by its contents, he left it there; and the following Friday found that it had been joined by several others. The vicar placed them all on the altar. Since then, the practice has continued uninterruptedly, without any encouragement (or-perhaps significantly discouragement) on the part of the parish clergy.
Now, at any one time there is an average of perhaps thirty votive notes on the altar. Each ex-voto is left for three or four weeks before being removed and reverently destroyed by fire. Originally Canon Price read out each invocation in the course of the weekly Eucharist at the chapel, but eventually the growing numbers rendered this impracticable, and they are now commemorated collectively. The chapel cult has also expanded somewhat, in that offerings of flowers are now left anonymously; and the “folk-art” depiction of St Trillo arrived in the same manner.”
In Hulse’s article he notes that the principal petition was regarding health (19). Interestingly to those prayers which are addressed, these according to Hulse’s survey was overwhelmingly to God (17) compared to the saint (8), although a number were ambiguous in their dedications.
The ailments ranged from Insomnia to Cancer, through eye problems, stress, a physical disability or else concerned the well-being of the family whether through reconciliation of its members, improvement of the quality of life or overcoming bereavement, the commonest perhaps reflecting more the age of the votive despositer. One even requested help to learn Welsh! The majority were women.
These votives still cover the altar as can be seen and between the two visits I made they had clearly changed. Now official notelets are produced and pinned to the board beside the altar, these two changed between the visits. Indeed, sitting for just over an hour a steady stream of ‘pilgrims’ can be seen many just curious, others did appear to leave something..so it pleasing to see this most romantic of well chapels still functioning in 21st century Britain.
If you visit only one holy well after reading this blog – make it this one. Easy found and reached (and signed) either by walking along the promenade or driving Marine Parade to Trillo Avenue, Why? For its peace, for its uniqueness, for its feel of the ancient, a connection to the time of hermit saints – or for the fact you can visit this, have an ice cream, do rock pooling and see the oldest puppet show in Britain…what’s not to like!?
Compared to Tremeirchion the provenance for St. Beuno’s Well at the fascinating Clynnog Fawr is much better. After following King Cadwallon from Holywell to Caernarvon, he was offered land here by his cousin Gwyyddaint after a falling out with the King! It is said that this was his final resting place, where he built his last cell, a chapel said to have been located at the site of the church. Thus in the seventh century a monastery was established which was destroyed in a 10th century Viking raid. Nothing is left from this period the present Chapel and church dating from the sixteenth century but excavations within have revealed earlier buildings.
A substantial well
St Beuno’s Well is of a style commonly met – a quite substantial well. The spring arises to fill a large rectangular bath surrounded by stone seats. The whole enclosure being walled around and raised above the roadway presumably to prevent animals reaching it and soiling it. Although the main road now thankfully bypasses the village and the well, the roadway was and still is, the pilgrim route down the Lleyn peninsular to the sacred isle of Bardsey beyond (a fact emphasised by the presence of a stamp collection for pilgrims)
A healing well
Here we come across a more confirmed usage of the well. This was mainly for children suffering from epilepsy and rickets for also conversely was linked to curing impotency. Scrapings from the pillars in the church were mixed with the water to cure sore eyes. An even more fascinating the tradition was that the bather would then visit St. Beuno’s chapel and laid on a bed of rushes upon a stone called Beuno’s tomb. A good night’s sleep procured a cure. I was denied even an attempt at this as the Chapel a unique side chapel reached by a small walkway was locked! However, I am not sure how good my cure would be as the stone itself was only a fragment of its original being removed in 1856. The practice itself was still being undertaken long after the reformation as accounted for by Thomas Pennant:
“and I myself once saw on it (the tomb) a feather bed on which a poor paralytic from Merioneddshire had lain the whole night after undergoing the same ceremony.”
A pagan tradition?
What has been related so far is strongly suggestive of some long lost pre-Christian tradition. Indeed today by the door is a large sarsen stone possibly part as perhaps Beuno’s stone, of a megalithic monument. What is even more curious is the tradition of St Beuno’s cattle. These were cattle with ear markings which were slaughtered and offered to the saint to ensure well-being of the stock. This was later replaced by monetary offerings based on the sale of livestock and the chest, Beuno’s cyff, remains within the church. The money being used for the poor. The ‘sacrifice’ of stock is clearly very resonant of pre-Christian practises and perhaps the area was dedicated to a deity visited for such wishes.
For the last twelve months I have been cataloguing some of the rich sacred spring heritage of Sardinia. For the final post, perhaps the most fascinating sacred spring site has been saved until last!
For buried beneath a fairly ordinary Sardinian church is a unique marvel – an incredible relic of ancient times and a testament to the continuation of tradition and spirituality. For 1000s of years, generations of Sardinians – whether Nuraghic, Roman, Punic, Islamic or Christian have worship here at the sacred spring.
The site is in a remote place – remote in every sense – geographically, culturally and of course historically.
The village of San Salvatore is a typical example of a temporary religious centre, such as we discussed at Santa Christina. A village of 130 houses which apart from one house the village is completely deserted centred around its church of Jesus the Saviour. So deserted in fact that I feared that the church would only be open at specific times, as my guide book suggested, but I found it was. When the church is certainly open and the village comes alive in the first Saturday of September. It is then that the village swarms with attendees of the naked foot race. This race called the Corsa degli Scalzi or Barefoot Race is said to commemorate an 1506 Arab pirate attack that forced nearby town of Cabras to run to San Salvatore to hide their Saviour’s statue. The local faithful still run this dirt track in their white tunics and stone torn feet.
It is very tempting and indeed it is likely that this ritual arose from some ancient practice at the site. This is especially considering the autumnal date of the custom which would tie in with harvest festivities which certainly were celebrated by ancient civilisations. Essentially considering the name Saviour is the same as Sin Salvatore’s church. Is this some ancient processional ceremony to celebrate the harvest?
The site today
Arriving at the church, it is a fairly typical whitewashed Italian church. Not remarkable but pleasing to the eye, a simple two aisles divided by pillars. The only clue to anything unusual is that it is arranged in an unusual orientation. This is a clue to what lies within as its arrangement was presumably done to enclosure the original sanctuary.
It is this sanctuary that we have come here to see. A rectangular hatch in the floor opens up to reveal a step set of stone steps into a dug out chamber, made of sandstone and brick faced with cement – a hypogeum – not the only one in Sardinia but unique in what we find within.
The steps lead us to three separate chambers set off a central room in essence a cross arrangement. The shapes of the chambers with their dome roofs suggest partly a Roman origin. However, it is thought that the construction of the church may have removed any firm evidence.
The central chamber is dominated by a large square well, now dry. Originally this well’s water was obtainable from the church above by an aperture now closed up. The furthest chamber is the most interesting and looks like the most significant religiously. Here is found a small table altar, a semi-circular drainage hole and circular well shaft. It is this well which is believed to be the original nuraghic site, although the evidence is scant. There is certainly no lack of evidence for its usage. This evidence being on the amazingly preserved drawings or graffitos on the walls around the chamber. The wells were dry in August but that is probably significant I could not confirm it but I would reckon that the spring was flowing in September at the time of the festival.
The site was probably a baptistery, and the dedication of the church to Jesus may well suggest this, but it is also possible that the hypogeum was the shrine of some saint. There is support for this for in Mamertina prison, a healing well was said to have used by Saints Peter and Paul, the water of which came from the catacombs of St Elena. Early baptisteries were incorporated into church and it was only after the risk of persecution was lifted that they became separate buildings.
Father Aleu, in his Successos Generales de laisla de SardeIra” (Avvenimenti generali della isola di Sardegna), sud- isla de SardeIra (Events General of the island of Sardinia) is one of the first to describe in the 1684:
“San Salvador, whose church remains until now, and has an underground until now, and has an underground chapel in the form of sanctuary, and in the area above the ground you can see the ruins of brick and cloisters, which document the existence of a Monastery.”
“Vi era un altro insediamento-scrive Fra Alèu nel 1684-non lonta- This monastery is thought to date from 1070 and suggests an importance to the settlement long since past. However, dig beneath the surface and this history is indeed very ancient. Near the village itself are Roman remains. It is en route to the city of Tharros and along the Sinis lagoon are Neolithic towns. The presence of Neolithic towns along the banks of the lagoon Sinis have left not only obsidian tools and more significantly a Mother Goddess. Clearly a very significant location.
Once in the chamber one is struck by the otherworldly nature. Sardinia has many great relics. Indeed its domus tombs are amongst the most awe inspiring. However, there is something more atmospheric about this site. Part of this is due to the artwork and inscriptions – graffiti – from over the ages on the walls.
These inscriptions span the centuries from 16th century back to Roman. Drawn in charcoal for the most part, although some have traces of colour, probably ochre, they are Arabic, Latin and Greek in origin. Inscriptions some of scripture, some harder to decipher, animals, deities and various scenes, laying upon each other in a confused manner, even modern graffiti. Like many places more recent visitors have made themselves known such as a Fin Salvatore in 1920 which is on the central well. These modern inscriptions sit with older Latin writings from the fourth and fifth century AD although deciphering them is now difficult. It is possible that these and the Greek letters represent some sacred alphabet perhaps a magical incarnation or spell. This may explain the appearance of RF written eight times on the walls. One interpretation maybe that this is someones’s name – Rufus – another that it may derive from a Semitic prayer barb-pe-aleph (ip ‘), meaning ‘heal, save, give health.’ And may have been associated with the use of the well water.
Those who visit churches will be familiar with bosses, poppyheads and misericords showing strange animals often personifying human evils. It is probable that some of these images fulfil the same function. For on the walls are geese, dogs, and large cats. More interesting and again emphasising its classical origin there is a winged horse probably Pegasus and fish. Fish of course represent a secret code for Christians and their presence on the wall must be seen as significant. It emphasises the chambers use as a secret place of worship. Although one might question why did these early Christians not remove the signs of pagans – perhaps like in many other places they were attempting to assimilate not destroy signs of earlier worship.
Another possible link with the well is the presence of ships. Some of these are of local, fassoni reed boars, and possible ancient origin. Others are three mast ships, a feature which does not belong to the ancient world, but is rather typical of the sixteenth and seventeenth century. So why are they here?
It is probable that the ships were part of some long held ritual here. Boat images are quite regularly found in the nuraghic settlements as votive offerings and it is tempting to think that these drawings are part of a continuation of this. Particularly as one shows a human figure with their arms raised to the sky presumably as prayer. Were these drawings part of a long lost tradition of going votives to a sea deity perhaps linked to the waters of the well, which may have due to the proximity of the lagoons be saline? What is also interesting is that tradition may have connections to the Greek graffiti here – the Island of Delos – where God was born and ships shipwrecked. The fact that this tradition survived possibly from prehistoric times is remarkable.
Greek iconography is very evident in the shrine. Two particular deities are present – Hercules strangling the Nemean lion. This image is particularly interesting considering the role the cult of Hercules had in the late period of the Roman empire when he vied for religious dominance against Christianity, Mithrasm and other cults. However again, Hercules was adopted by the early Christians as a metaphor. His many labours recognised as a divine struggle akin to that central to the story of Jesus and indeed he was often called Soter – the Savior. The dedication of the current church may possibly be a link to another association preserved from ancient times.
The most remarkable graffiti is that of two female figures standalone, with corona radiata on their head: identifying them as a deity. Over their heads of the figures they are painted their names: VENVS and MVRS – Venus and Mars. Above them is a winged cupid with AMOR. As a result the interpretation of this scene is the love affair of Venus and Mars. One which was particularly significant in the political and religious life of Rome: The city founders, Romulus and Remus, were said to be the children of Mars and descendent from Aeneas, a descendent of Venus. What is interesting again is the context Venus was another cult, popular at the times of emergent Christianity, and its survival here like Hercules is perhaps an attempt to adopt it perhaps as Mary.
However, there is something more significant in line with the spring arising here. The appearance of the Venus is akin to that of a water spirit and indeed, Venus was a Goddess associated with water – being associated with the waves and the morning dew.
Move forward the centuries to the Arabic inscription in the third room, which reads translated as:
“In the name of God the merciful and gracious. There is no God except Allah …. and that Muhammad. It testifies that heaven actually exists and Hell really exists.”
This may date from 1509 a time when the Sardinian coast was subject to many Arab incursions and a landing occurred not far away at Cabras. The presence of the inscription may be due to the site being used as refuge or maybe a prison!
There is so much to observe in these four small chambers remote from the outside world. However what is clear that they remain a rare relic from an ancient time and a fascinating testament to how the faiths through the millennia had one central theme – the sanctity of water.
It is my great pleasure to present an article from one of the most important contributors to the holy well research field. Author of the excellent The Living Stream – the first academic book on the subject, the indispensable guides to holy wells of Buckinghamshire, Kent and Surrey, as well as countless articles for Source and Living Spring, as well as his own webpage..he’s been in retirement holy well research wise and sticking to the day job of being a rector, so its a great privilege that he’s contributing this ground breaking piece of research about a holy well which is not recorded elsewhere to this blog..
In 1960 the Revd John Bickersteth, unlikely owner of the ancient seat of the Earls of Ashburnham in East Sussex after the death of his second cousin, created the Ashburnham Christian Trust. The estate, which Revd Bickersteth had only visited once before he inherited it in 1953, consisted of 8,500 acres of farmland and woods, a crumbling 82-room mansion filled with antiques, and a tax bill of £427,000. Most of the land and the treasures were quickly sold, but the house remained, inconvenient, expensive, and it seemed unlettable. However Revd Bickersteth was approached with the idea that Ashburnham Place might house a Christian training and conference centre. Most of the house was demolished, the grounds tidied up, the Trust established, and this is the role it fulfils today – along with a tea room open to ordinary members of the public, who can, provided they let Reception know, walk the grounds – and see the wells.
The approach to Ashburnham brings the visitor along a swooping drive through Burrage Wood and across the gorgeous stone bridge of the 1820s spanning Capability Brown’s lake formed off the River Ashbourne, to park around the back of the house near the old parish church. As far as wells are concerned, the chief attraction lies just south of the Broad Water. The Ladyspring Grotto is approached by one of two routes up a short gully leading uphill from the edge of the lake: either a high path along the eastern edge, or a lower path along the bottom of the gully. The upper path curves in around the top of the gully past a collection of massive boulders and stone steps. In both cases the Grotto is more or less hidden from view almost until the visitor reaches it. It consists of a well-chamber about five feet square by seven feet high, set into the bank, with a flagged stone floor and plastered walls, and a semi-circular arched roof; the walls are of very substantial stone blocks and the arch is constructed from thin clay tiles. The water pours from an outlet in the back wall into a stone trough raised above the floor.
Nothing is known for certain about the Ladyspring’s history. Information available at Ashburnham ascribes it to Capability Brown’s landscaping of the gardens in the 1760s and ‘70s, but if so it would be an item unique in his entire oeuvre. The only other folly in the grounds is a tiny Temple (really just a glorified seat) looking from the southwest bank of the lake across at the house. My guess is that, even though it may date from that sort of time, the real responsibility will have lain not with Brown but with the incumbent Earl who may have had a taste for that kind of thing. The Grotto seems to be an attempt to recreate a Graeco-Roman nymphaeum or shrine, with shades of the great spring at Bath (and rather like the site at Santa Fiora near Rome uncovered in 2009 – http://aqueducthunter.com/fiora/), and suggests a landowner who had some interest in and experience of such sites. John, the second Earl Ashburnham, who commissioned the landscaping work from Capability Brown, was, Horace Walpole described, ‘a decent, reserved and servile courtier’, and seems a less likely candidate than his son, the academically-inclined third Earl, George, who was a Fellow of the Society of Antiquaries and trustee of the British Museum. He was in charge of Ashburnham between 1812 and 1830 – a bit late for the sort of Romantic folly-making the Grotto represents, but George is still its most probable builder.
The origin of the name is mysterious too. The Ashburnham Place guidebook and various information boards around the grounds ascribe it to a painting on the plaster at the rear of the well-chamber, depicting, as variously stated, one or three ‘ladies’. The image is supposed to be visible when water is thrown on the plaster – though, even allowing imagination the greatest latitude, I couldn’t make out anything more than random stains of mould – or under infra-red photography. An estate map of 1638 (thekeep.info/places/eastsussex/parishesandsettlements/Ashburnham) shows a ‘Lady’ field name to the north of the house, so the title had some pre-existing local usage, and a ‘Lady Spring’ might have existed before the creation of the Grotto, even if the name did not refer to the Virgin Mary (the church is dedicated to St Peter).
The Ladyspring is the most impressive of Ashburnham’s wells, but there are others. A couple of hundred yards to the southwest is Ironspring, a somewhat overgrown, artificially-dammed pond emptying into the lake and fed by waters which seep in from the slope above. The name suggests mineral content, but nothing is very obvious from the appearance of the water and there are no tell-tale red stains on the mud or undergrowth. Again, the history of this site is unclear: it isn’t named on old or current Ordnance Survey maps.
The Palladian Fountain is harder to locate (I stumbled upon it by accident). It lies south of the carriage drive and seems to be more modern than the Ladyspring, dating to a later phase of the development of the gardens. The outlet is a metal pipe set into a recessed semi-circular arch about four feet high, dripping water into a trough edged with shaped, dark bricks. On the left-hand, eastward side of the fountain, a stone wall curves away, supplied with what appears to be a low bench although the ground is now a bit boggy for sitting and contemplating, as well as the surroundings being somewhat overgrown. The Fountain doesn’t in fact tap a spring, but the overflow from one of the rivulets feeding the lake. The pink stone Shell Fountain, lying in the grounds to the north (and now dry) dates to the 1850s when water was channelled from springs to feed the gardens around the Orangery, next to the house.
The Ladyspring alone would justify a far greater fame for Ashburnham in hydrolatric terms. The combination of well-house and slightly tweaked and augmented topography creating a Romantic neo-pagan experience but one which aims at authenticity is unique in the UK and it would be fascinating to know more than just the speculations I’ve given here.