Down a lane away from the village in quiet solitude is St Ethelbert’s church at Marden. It is a church associated with a saintly legend and a location of particular interest for anyone concerned in water lore; for two pieces of local legend are recorded both with familiar motifs. Perhaps the most familiar one is associated with the strange find in a carpeted room to the left of the entrance. Here sadly dry is St. Ethelbert’s Well. The earliest record is John Duncombe 1804 Collections for a History of Herefordshire
“At the west end of the nave, defended by circular stonework, is a well about ten inches in diameter, about four feet below the pavement of the church, aspring supposed to arise from the spot in which the body of Ethelbert was first interred…. This spring is said to have been held in great veneration from the circumstance of the water retaining its purity, when overflowed by the stream of the Lugg, however muddy or impure.”
Charles Hope (1893) in his Legendary Lore of Holy Wells also records:
“MARDEN: ST. ETHELBERT’S WELL. THERE is a well in the church of Marden, Herefordshire. It is near the west end of the nave, defended by circular stone-work, about ten inches in diameter, and enclosing a spring, supposed to arise from the spot in which the body of King Ethelbert was first interred, and is called St. Ethelbert’s Well (Notes and Queries, 3 S., viii. 235).”
Jonathan Sant in his 1994 The Healing Wells of Herefordshire notes:
“Formerly to be seen at the west end of the nave, St. Ethelbert’s Well has recently been swallowed up by an extended vestry where it can now be seen incongruously surrounded by carpeted floor. The octagonal stone well-top is apparently late Victorian but the square top within the shaft below is doubtless older. Needless to say, the table which has been built over it is very modern and prevents small children from falling down the well”
The well is much as Sant describes although there have been recent talks of an improvement to make a more appropriate structure although that could possibly ruin this strange well. He records water in it as well, it was dry when I examined it in April of this year.
What is particularly strange is that once the wooden lid is removed this is a deep shaft well. Very few holy wells are such deep shafts, the majority being shallow springheads. Perhaps this suggests that this could as Sant suggests provide pure water even when the river was in flood. Its depth may also suggest a great age indicating how the ground level has risen as the years have built up more sediment. The church guide suggests it had a healing tradition but I am unable to find their source, similarly they claim the well and church were a place of pilgrim, likely but again no written evidence. Current pilgrims have thrown coins in the well as can be seen.
The legend of St Ethelbert’ or Æthelberht’s Well
Overlooking the village of Marden are the scant remains of Sutton Walls now a tree covered hillfort. Here local tradition record was the royal vill or sort of temporary villa of the great Offa of Mercia the scene of the saint’s murder.
According to the Anglo-Saxon Chronicle he was captured whilst visiting his bride to be Ælfthyth. Richard of Cirencester records that Offa’s queen Cynethryth convinced Offa that Æthelberht should be killed, although there is no evidence why. Although it was likely political as Æthelberht was King of the Angles and Mercia had domination over East Anglia and would be keen to stop any possible claimant under control.
One legend tells that he sat upon a chair with no seat a trap door of sorts, the whole being covered by a cloth and that he fell down the hole, a deep pit, his head being removed to ensure that he was dead. Another tells how he was smothered in his bed clothes. All accounts record his beheading, but some say that this was done in Offa’s presence. The body being hastily buried with the head beside the river below.
Discovery of the body and formation of the well
The legend is told in a panel upon the 2008 shrine to the saint in Hereford Cathedral but it is absent in the first version of the story which is restricted to the shaft of light subsequent tellings have mentioned the spring.
Issues with the legend
Considering the well head’s location and the church’s remote location it is more than likely that the church was placed here because of the well. However, does this make the well date from St. Ethelbert? Although, one would not miss to pour water upon the county’s famed legend, there are concerns that it might.
Hagiographers will notice that the religious features his martyrdom closely resemble that associated with the legend of St. Kenelm. This is best summarised by Edith Rickert’s 1905 article The Old English Offa Saga. II in Modern Philology Vol. 2, No. 3:
“At this point, however, mention must be made of another legend, that of St. Kenelm, which shows a curious relationship to the story of Ethelbert. The resemblances are these: a) Each saint, by the ambition and malice of a wicked kinswoman, was treacherously lured to his death and beheaded.’ b) The murderess in each case perished miserably by super natural intervention.2 c) Each saint had divine foreknowledge of his death in a dream or vision in which a beautiful tree was cut down and he himself was turned into a bird and flew up a column of light to heaven.”
Overall it suggests perhaps that the St. Ethelbert legend was a transfer from St. Kenelm (or vica versa) but if it was a concoction why? The other legend that of the Mermaid may give us a suggestion why….but we can discuss this in a future post.
It is nice to easily find a holy well for once, for Rhuddlan’s St Mary’s Well lying as it does in the grounds of Bodrhyddan Hall, is easily seen by the side of the drive to the hall (the gardens of which are open Tuesday and Thursday afternoons and well worth exploring)
Pure folly or holy?
What greets us today is a typical folly building but does the well have any provenance before the current construction. The earliest reference is as Ffynnon Fair and is made by Lhuyd in 1699 however it does not appear on an estate map until 1730, although an engraving on the fabric of the well states emphatically 1612! Significantly neither of these dates are associated with any traditions and there appears to be no pre-Reformation reference.
The only hints of its importance are traditions of clandestine marriages at the well, although it is possible that this is a mixed up tradition with a more famous Ffynnon Fair at St Asaph. The other hint is found in the hall, where a possibly unique stone fish inserted in the flooring of the hall shows the boundary of the parishes and as you may have gathered regularly reading this blog many holy wells mark parish boundaries. Neither pieces are particularly emphatic!
The well itself is a delightful edifice consisting of an octagonal stone four metre well house and adjacent stone lined ‘bathing pool’. The well has arched entrance with cherub kerbstone. Inside the rather cramp well are seats around the inside and although access to the water is prevented by a metal grill. On the top of the well house is a carved pelican and a stylised fish (more similar to classical images of dolphin) pours its water into the cold bath which is surrounded by a stone ballastrade.
Keeping up with the Joneses?
One of the biggest issues with site is who built it. On the well house it is proclaimed that Inigo Jones was responsible. Jones was a noted architect and garden designer, so the building has the appearance of something he could have built, the date was when he was at the height of his fame so it is surprising nothing more official is recorded. Was this a local of the same name or the family adding the date and person at a later date to impress visitors? Certainly the building looks late 18th or early 19th century, probably being built when the house was restored then. Whatever, the well is part of a larger landscape including other wells, tree lined walkaways and now a summerhouse above a landscaped pool.
Its absence in 1730 but present on the 1756 one suggests not. Furthermore, Norman Tucker 1961’s Bodrhyddan and the families of Conwy, Shipley-Conwy and Rowley-Conwy states that the lettering is on the wrong period! Another possibility is that the architect may have been involved with designing the gardens and when the well was constructed later as the central piece the date of the garden design was recorded…but of course this does not explain who the well’s designer was!
Wishing well or healing well?
Today a sign, rather tacky to my mind (and I removed it to take photos) claims it is a wishing well. Visitors have certainly have paid attention to the sign as the well is full of coins. It is worth noting that although there is no curative history to the waters, anecdotally its powers could be significant. All the owners who have drunk from the well have lived to a considerable age, indeed the present owner is in his 100s I believe. Perhaps it might be worth bottling it!
Whatever its origin the well is a delightful one and certainly a change from muddy footpaths, negotiating brambles and nettles and getting completely pixy led…and there a nice garden and fascinating hall to see too.
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St Trillo’s Well has been on my personal must visits for some time. It is not only a unique site being a chapel enclosing a holy well – a rare survival – its location tucked under a seaside road, a juxtaposition between the seaside houses and the promenade and the sea makes it one of the most unusually situated. It is everyone’s classic view of an ancient chapel, privately arranged and simply adorned and whilst it may not be as old as first assumed it does have its own unique charm.
I was particularly concerned that it may be open. Being a chapel I am always wary that like churches – urban areas and access do not often work. Yet parking above it, now almost hidden by shrubs and the hill itself, the path led to the railed enclosure which was open and walking around I pushed the old wooden door, it yielded and I was in. As soon as one enters, one is overcome with a feeling of peace. Whatever frivolities gone on outside feel an eon away. As a chapel it is very unusual, being claimed with its room for six chairs, to be the smallest church in Britain. This is no folly but a functional place of worship for the congregation which meet for communion on Friday mornings and those more intermittent visitors who leave votives and prayers. For perhaps uniquely again for a British well, the saint’s intercessions are still asked for via its well.
Many years ago historians thought that the chapel dated from the early medieval, even from the 6th century times of the saint. However, whilst it is very likely that the present structure is built upon this original hermitage it is much more recent. Generally it is thought to date from the 1500s. Francis Jones in his 1954 Holy Wells of Wales notes:
“In the Denbighshire parish of Iscoed, a certain Angharad verch [daughter of] David, examined in 1590 before Roger Puleston of Llay, the local Justice of the Peace …resolutely refused to conform “by reason of her conscience.” In answer to further questions concerning her marriage, she declared that the ceremony had taken place last harvest time at a place called Llandrillo Chapel near the sea side in Creuddyn whilst she was on a pilgrimage to St. Drillo’s [sic] well.”
Such a visit suggests a pre-Reformation importance to the site especially as the date, in Harvest, suggests a regular pilgrimage as this was a popular time to go. Thomas Pennant visited the site in the late 1700s and described it as:
“… saw close to the shore the singular little building called St Trillo’s Church. It is oblong, has a window on each side and at the end; a small door; and a vaulted roof paved with round stones instead of being slated. Within is a well. The whole building is surrounded with a stone wall.”
Clearly what is seen present despite in its ancient appearance is Victorian in nature for in 1892, a letter in Archaeologia Cambrensis by folklorist and cleric Elias Owen (author of Welsh Folk-Lore) described it as :
“I was sorry to find that the vaulted roof had fallen in, that the well inside the chapel was covered over with the debris from the roof, and that the whole structure and its surroundings presented a ruinated and uncared for aspect.”
This concern was headed and in around 1898 two buttresses were erected to support the seaward side, a cross was inserted into the gable and more importantly a new roof. A stone altar was inserted over the well and stain glasses of Saints Trillo and Elian installed. An account by the Royal Commissioners who visited in 1912 happily describe a better condition, being described as:
“A small building, internally eleven feet nine inches by six feet three inches, standing on the sea shore within reach of the highest spring tides, and sheltering a small spring of clear water which traditionally represents the well of the patron saint of the parish. The building is roughly vaulted, and, according to earlier accounts, the vaulting was effected in the primitive manner of the earliest Christian oratories … It is, however, doubtful if the chapel is not far more modern than it is assumed to be.”
It has remained well looked after ever since, being adopted by the church of Wales who have a rather intimate Eucharist ever Friday at 8 am during the summer.
The Holy well
The first thing to notice is that the well is central to the chapel’s function being positioned in the centre beneath the altar. It is covered by a metal grill and two wooden slats. Upon removal two steps appear, suggesting perhaps that the water was easier lower or else individuals entered it for baptism. Indeed, baptism appears to be the only recorded function for its waters. The water is clear and arises at the foot of the hill being channelled into the well chamber by pipes. It is clear that it was the spring which caused the saint to establish a hermitage here.
Of the well the first post Reformation reference to its powers is made by Evans (1802) who briefly notes
“St. Trillo’s Chapel: inside is a well, formerly much esteemed for the sanative virtues of its waters; it was supposed to have been the constant residence of the saint.”
But despite this and such postulations by Colt Hoare, who visited the well one July in 1801 noted it was:
“once probably held in high veneration for its miraculous qualities.”
But stated nothing more. Interesting there are no ‘modern’ traditions of the well and it would appear it has become a largely supplementary feature to the chapel’s powers via the intercession of St. Trillo.
Who was St. Trillo?
St Trillo who is shown with fellow local saint St Elian, in two small stained glass windows in the chapel, was the brother of two other saints, Tegai and Llechid and was a monk of Bardsey Island before settling here. He is also saint to have been involved with the Diocese of Bangor Diocese. However, like many 7th century saints little is really known.
Located as it does seems an unusual place for a holy well perhaps but as Francis Thompson (2008) in his Early Hermit sites and Well Chapels states its location is not that unusual. Indeed, along with cliff races, islands and valleys, it was another ideal location for a hermit to reside. Furthermore, it was a very fortunate place to be, the sea would provide a harvest and even today the rock pools are full of winkles, mussels and edible seaweed. The survival of a medieval fish trap a few yards from the chapel is also significant and may have been the occupants attempt to provide a more substantial harvest by trapping fish. Not only would such a location provide a bumper food supply, fishermen may have provided money in thanksgiving or offerings for a profitable and safe fishing.
This giving of thanks or asking for the saint to intercede with God is still very much an important role for the chapel. On the altar are a range of curious items, votive gifts of thanks and on a board petitions are regularly attached. Tristan Grey Hulse in his 1995 A Modern Votive deposit at a North Welsh Holy Well for Folklore, Volume 106 recorded the range of requests. The author notes:
“Thus the sudden and spontaneous development of a new religious cult practice at the chapel is a fact of some importance, likely to be of interest to students in a variety of disciplines. I have visited Capel Trillo many times over the past fifteen years, but beyond noticing the odd coin thrown into the holy well, I had never seen the chapel otherwise than described above. But paying a first visit in 1994, on 21 April, I encountered a significant change. There were more flowers than usual, in pots on the window-ledges as well as on the altar. There was a crude but exuberant and colourful painting of St Trillo standing by his well propped against the altar; and the altar-table itself had scraps of paper scattered across it. Each of these contained a handwritten prayer or request for prayer. There were seventeen in all. Intrigued by this unexpected development, I copied the texts.”
Doing further research, he noted:
“The present custom apparently began in the summer of 1992. Arriving as usual one Friday morning to celebrate the Eucharist, the vicar of Llandrillo, Canon E. Glyn Price, found a single piece of paper impaled on a nail sticking out from the wall of the chapel, containing a hand-written prayer. Touched by its contents, he left it there; and the following Friday found that it had been joined by several others. The vicar placed them all on the altar. Since then, the practice has continued uninterruptedly, without any encouragement (or-perhaps significantly discouragement) on the part of the parish clergy.
Now, at any one time there is an average of perhaps thirty votive notes on the altar. Each ex-voto is left for three or four weeks before being removed and reverently destroyed by fire. Originally Canon Price read out each invocation in the course of the weekly Eucharist at the chapel, but eventually the growing numbers rendered this impracticable, and they are now commemorated collectively. The chapel cult has also expanded somewhat, in that offerings of flowers are now left anonymously; and the “folk-art” depiction of St Trillo arrived in the same manner.”
In Hulse’s article he notes that the principal petition was regarding health (19). Interestingly to those prayers which are addressed, these according to Hulse’s survey was overwhelmingly to God (17) compared to the saint (8), although a number were ambiguous in their dedications.
The ailments ranged from Insomnia to Cancer, through eye problems, stress, a physical disability or else concerned the well-being of the family whether through reconciliation of its members, improvement of the quality of life or overcoming bereavement, the commonest perhaps reflecting more the age of the votive despositer. One even requested help to learn Welsh! The majority were women.
These votives still cover the altar as can be seen and between the two visits I made they had clearly changed. Now official notelets are produced and pinned to the board beside the altar, these two changed between the visits. Indeed, sitting for just over an hour a steady stream of ‘pilgrims’ can be seen many just curious, others did appear to leave something..so it pleasing to see this most romantic of well chapels still functioning in 21st century Britain.
If you visit only one holy well after reading this blog – make it this one. Easy found and reached (and signed) either by walking along the promenade or driving Marine Parade to Trillo Avenue, Why? For its peace, for its uniqueness, for its feel of the ancient, a connection to the time of hermit saints – or for the fact you can visit this, have an ice cream, do rock pooling and see the oldest puppet show in Britain…what’s not to like!?
Compared to Tremeirchion the provenance for St. Beuno’s Well at the fascinating Clynnog Fawr is much better. After following King Cadwallon from Holywell to Caernarvon, he was offered land here by his cousin Gwyyddaint after a falling out with the King! It is said that this was his final resting place, where he built his last cell, a chapel said to have been located at the site of the church. Thus in the seventh century a monastery was established which was destroyed in a 10th century Viking raid. Nothing is left from this period the present Chapel and church dating from the sixteenth century but excavations within have revealed earlier buildings.
A substantial well
St Beuno’s Well is of a style commonly met – a quite substantial well. The spring arises to fill a large rectangular bath surrounded by stone seats. The whole enclosure being walled around and raised above the roadway presumably to prevent animals reaching it and soiling it. Although the main road now thankfully bypasses the village and the well, the roadway was and still is, the pilgrim route down the Lleyn peninsular to the sacred isle of Bardsey beyond (a fact emphasised by the presence of a stamp collection for pilgrims)
A healing well
Here we come across a more confirmed usage of the well. This was mainly for children suffering from epilepsy and rickets for also conversely was linked to curing impotency. Scrapings from the pillars in the church were mixed with the water to cure sore eyes. An even more fascinating the tradition was that the bather would then visit St. Beuno’s chapel and laid on a bed of rushes upon a stone called Beuno’s tomb. A good night’s sleep procured a cure. I was denied even an attempt at this as the Chapel a unique side chapel reached by a small walkway was locked! However, I am not sure how good my cure would be as the stone itself was only a fragment of its original being removed in 1856. The practice itself was still being undertaken long after the reformation as accounted for by Thomas Pennant:
“and I myself once saw on it (the tomb) a feather bed on which a poor paralytic from Merioneddshire had lain the whole night after undergoing the same ceremony.”
A pagan tradition?
What has been related so far is strongly suggestive of some long lost pre-Christian tradition. Indeed today by the door is a large sarsen stone possibly part as perhaps Beuno’s stone, of a megalithic monument. What is even more curious is the tradition of St Beuno’s cattle. These were cattle with ear markings which were slaughtered and offered to the saint to ensure well-being of the stock. This was later replaced by monetary offerings based on the sale of livestock and the chest, Beuno’s cyff, remains within the church. The money being used for the poor. The ‘sacrifice’ of stock is clearly very resonant of pre-Christian practises and perhaps the area was dedicated to a deity visited for such wishes.
For the last twelve months I have been cataloguing some of the rich sacred spring heritage of Sardinia. For the final post, perhaps the most fascinating sacred spring site has been saved until last!
For buried beneath a fairly ordinary Sardinian church is a unique marvel – an incredible relic of ancient times and a testament to the continuation of tradition and spirituality. For 1000s of years, generations of Sardinians – whether Nuraghic, Roman, Punic, Islamic or Christian have worship here at the sacred spring.
The site is in a remote place – remote in every sense – geographically, culturally and of course historically.
The village of San Salvatore is a typical example of a temporary religious centre, such as we discussed at Santa Christina. A village of 130 houses which apart from one house the village is completely deserted centred around its church of Jesus the Saviour. So deserted in fact that I feared that the church would only be open at specific times, as my guide book suggested, but I found it was. When the church is certainly open and the village comes alive in the first Saturday of September. It is then that the village swarms with attendees of the naked foot race. This race called the Corsa degli Scalzi or Barefoot Race is said to commemorate an 1506 Arab pirate attack that forced nearby town of Cabras to run to San Salvatore to hide their Saviour’s statue. The local faithful still run this dirt track in their white tunics and stone torn feet.
It is very tempting and indeed it is likely that this ritual arose from some ancient practice at the site. This is especially considering the autumnal date of the custom which would tie in with harvest festivities which certainly were celebrated by ancient civilisations. Essentially considering the name Saviour is the same as Sin Salvatore’s church. Is this some ancient processional ceremony to celebrate the harvest?
The site today
Arriving at the church, it is a fairly typical whitewashed Italian church. Not remarkable but pleasing to the eye, a simple two aisles divided by pillars. The only clue to anything unusual is that it is arranged in an unusual orientation. This is a clue to what lies within as its arrangement was presumably done to enclosure the original sanctuary.
It is this sanctuary that we have come here to see. A rectangular hatch in the floor opens up to reveal a step set of stone steps into a dug out chamber, made of sandstone and brick faced with cement – a hypogeum – not the only one in Sardinia but unique in what we find within.
The steps lead us to three separate chambers set off a central room in essence a cross arrangement. The shapes of the chambers with their dome roofs suggest partly a Roman origin. However, it is thought that the construction of the church may have removed any firm evidence.
The central chamber is dominated by a large square well, now dry. Originally this well’s water was obtainable from the church above by an aperture now closed up. The furthest chamber is the most interesting and looks like the most significant religiously. Here is found a small table altar, a semi-circular drainage hole and circular well shaft. It is this well which is believed to be the original nuraghic site, although the evidence is scant. There is certainly no lack of evidence for its usage. This evidence being on the amazingly preserved drawings or graffitos on the walls around the chamber. The wells were dry in August but that is probably significant I could not confirm it but I would reckon that the spring was flowing in September at the time of the festival.
The site was probably a baptistery, and the dedication of the church to Jesus may well suggest this, but it is also possible that the hypogeum was the shrine of some saint. There is support for this for in Mamertina prison, a healing well was said to have used by Saints Peter and Paul, the water of which came from the catacombs of St Elena. Early baptisteries were incorporated into church and it was only after the risk of persecution was lifted that they became separate buildings.
Father Aleu, in his Successos Generales de laisla de SardeIra” (Avvenimenti generali della isola di Sardegna), sud- isla de SardeIra (Events General of the island of Sardinia) is one of the first to describe in the 1684:
“San Salvador, whose church remains until now, and has an underground until now, and has an underground chapel in the form of sanctuary, and in the area above the ground you can see the ruins of brick and cloisters, which document the existence of a Monastery.”
“Vi era un altro insediamento-scrive Fra Alèu nel 1684-non lonta- This monastery is thought to date from 1070 and suggests an importance to the settlement long since past. However, dig beneath the surface and this history is indeed very ancient. Near the village itself are Roman remains. It is en route to the city of Tharros and along the Sinis lagoon are Neolithic towns. The presence of Neolithic towns along the banks of the lagoon Sinis have left not only obsidian tools and more significantly a Mother Goddess. Clearly a very significant location.
Once in the chamber one is struck by the otherworldly nature. Sardinia has many great relics. Indeed its domus tombs are amongst the most awe inspiring. However, there is something more atmospheric about this site. Part of this is due to the artwork and inscriptions – graffiti – from over the ages on the walls.
These inscriptions span the centuries from 16th century back to Roman. Drawn in charcoal for the most part, although some have traces of colour, probably ochre, they are Arabic, Latin and Greek in origin. Inscriptions some of scripture, some harder to decipher, animals, deities and various scenes, laying upon each other in a confused manner, even modern graffiti. Like many places more recent visitors have made themselves known such as a Fin Salvatore in 1920 which is on the central well. These modern inscriptions sit with older Latin writings from the fourth and fifth century AD although deciphering them is now difficult. It is possible that these and the Greek letters represent some sacred alphabet perhaps a magical incarnation or spell. This may explain the appearance of RF written eight times on the walls. One interpretation maybe that this is someones’s name – Rufus – another that it may derive from a Semitic prayer barb-pe-aleph (ip ‘), meaning ‘heal, save, give health.’ And may have been associated with the use of the well water.
Those who visit churches will be familiar with bosses, poppyheads and misericords showing strange animals often personifying human evils. It is probable that some of these images fulfil the same function. For on the walls are geese, dogs, and large cats. More interesting and again emphasising its classical origin there is a winged horse probably Pegasus and fish. Fish of course represent a secret code for Christians and their presence on the wall must be seen as significant. It emphasises the chambers use as a secret place of worship. Although one might question why did these early Christians not remove the signs of pagans – perhaps like in many other places they were attempting to assimilate not destroy signs of earlier worship.
Another possible link with the well is the presence of ships. Some of these are of local, fassoni reed boars, and possible ancient origin. Others are three mast ships, a feature which does not belong to the ancient world, but is rather typical of the sixteenth and seventeenth century. So why are they here?
It is probable that the ships were part of some long held ritual here. Boat images are quite regularly found in the nuraghic settlements as votive offerings and it is tempting to think that these drawings are part of a continuation of this. Particularly as one shows a human figure with their arms raised to the sky presumably as prayer. Were these drawings part of a long lost tradition of going votives to a sea deity perhaps linked to the waters of the well, which may have due to the proximity of the lagoons be saline? What is also interesting is that tradition may have connections to the Greek graffiti here – the Island of Delos – where God was born and ships shipwrecked. The fact that this tradition survived possibly from prehistoric times is remarkable.
Greek iconography is very evident in the shrine. Two particular deities are present – Hercules strangling the Nemean lion. This image is particularly interesting considering the role the cult of Hercules had in the late period of the Roman empire when he vied for religious dominance against Christianity, Mithrasm and other cults. However again, Hercules was adopted by the early Christians as a metaphor. His many labours recognised as a divine struggle akin to that central to the story of Jesus and indeed he was often called Soter – the Savior. The dedication of the current church may possibly be a link to another association preserved from ancient times.
The most remarkable graffiti is that of two female figures standalone, with corona radiata on their head: identifying them as a deity. Over their heads of the figures they are painted their names: VENVS and MVRS – Venus and Mars. Above them is a winged cupid with AMOR. As a result the interpretation of this scene is the love affair of Venus and Mars. One which was particularly significant in the political and religious life of Rome: The city founders, Romulus and Remus, were said to be the children of Mars and descendent from Aeneas, a descendent of Venus. What is interesting again is the context Venus was another cult, popular at the times of emergent Christianity, and its survival here like Hercules is perhaps an attempt to adopt it perhaps as Mary.
However, there is something more significant in line with the spring arising here. The appearance of the Venus is akin to that of a water spirit and indeed, Venus was a Goddess associated with water – being associated with the waves and the morning dew.
Move forward the centuries to the Arabic inscription in the third room, which reads translated as:
“In the name of God the merciful and gracious. There is no God except Allah …. and that Muhammad. It testifies that heaven actually exists and Hell really exists.”
This may date from 1509 a time when the Sardinian coast was subject to many Arab incursions and a landing occurred not far away at Cabras. The presence of the inscription may be due to the site being used as refuge or maybe a prison!
There is so much to observe in these four small chambers remote from the outside world. However what is clear that they remain a rare relic from an ancient time and a fascinating testament to how the faiths through the millennia had one central theme – the sanctity of water.
It is my great pleasure to present an article from one of the most important contributors to the holy well research field. Author of the excellent The Living Stream – the first academic book on the subject, the indispensable guides to holy wells of Buckinghamshire, Kent and Surrey, as well as countless articles for Source and Living Spring, as well as his own webpage..he’s been in retirement holy well research wise and sticking to the day job of being a rector, so its a great privilege that he’s contributing this ground breaking piece of research about a holy well which is not recorded elsewhere to this blog..
In 1960 the Revd John Bickersteth, unlikely owner of the ancient seat of the Earls of Ashburnham in East Sussex after the death of his second cousin, created the Ashburnham Christian Trust. The estate, which Revd Bickersteth had only visited once before he inherited it in 1953, consisted of 8,500 acres of farmland and woods, a crumbling 82-room mansion filled with antiques, and a tax bill of £427,000. Most of the land and the treasures were quickly sold, but the house remained, inconvenient, expensive, and it seemed unlettable. However Revd Bickersteth was approached with the idea that Ashburnham Place might house a Christian training and conference centre. Most of the house was demolished, the grounds tidied up, the Trust established, and this is the role it fulfils today – along with a tea room open to ordinary members of the public, who can, provided they let Reception know, walk the grounds – and see the wells.
The approach to Ashburnham brings the visitor along a swooping drive through Burrage Wood and across the gorgeous stone bridge of the 1820s spanning Capability Brown’s lake formed off the River Ashbourne, to park around the back of the house near the old parish church. As far as wells are concerned, the chief attraction lies just south of the Broad Water. The Ladyspring Grotto is approached by one of two routes up a short gully leading uphill from the edge of the lake: either a high path along the eastern edge, or a lower path along the bottom of the gully. The upper path curves in around the top of the gully past a collection of massive boulders and stone steps. In both cases the Grotto is more or less hidden from view almost until the visitor reaches it. It consists of a well-chamber about five feet square by seven feet high, set into the bank, with a flagged stone floor and plastered walls, and a semi-circular arched roof; the walls are of very substantial stone blocks and the arch is constructed from thin clay tiles. The water pours from an outlet in the back wall into a stone trough raised above the floor.
Nothing is known for certain about the Ladyspring’s history. Information available at Ashburnham ascribes it to Capability Brown’s landscaping of the gardens in the 1760s and ‘70s, but if so it would be an item unique in his entire oeuvre. The only other folly in the grounds is a tiny Temple (really just a glorified seat) looking from the southwest bank of the lake across at the house. My guess is that, even though it may date from that sort of time, the real responsibility will have lain not with Brown but with the incumbent Earl who may have had a taste for that kind of thing. The Grotto seems to be an attempt to recreate a Graeco-Roman nymphaeum or shrine, with shades of the great spring at Bath (and rather like the site at Santa Fiora near Rome uncovered in 2009 – http://aqueducthunter.com/fiora/), and suggests a landowner who had some interest in and experience of such sites. John, the second Earl Ashburnham, who commissioned the landscaping work from Capability Brown, was, Horace Walpole described, ‘a decent, reserved and servile courtier’, and seems a less likely candidate than his son, the academically-inclined third Earl, George, who was a Fellow of the Society of Antiquaries and trustee of the British Museum. He was in charge of Ashburnham between 1812 and 1830 – a bit late for the sort of Romantic folly-making the Grotto represents, but George is still its most probable builder.
The origin of the name is mysterious too. The Ashburnham Place guidebook and various information boards around the grounds ascribe it to a painting on the plaster at the rear of the well-chamber, depicting, as variously stated, one or three ‘ladies’. The image is supposed to be visible when water is thrown on the plaster – though, even allowing imagination the greatest latitude, I couldn’t make out anything more than random stains of mould – or under infra-red photography. An estate map of 1638 (thekeep.info/places/eastsussex/parishesandsettlements/Ashburnham) shows a ‘Lady’ field name to the north of the house, so the title had some pre-existing local usage, and a ‘Lady Spring’ might have existed before the creation of the Grotto, even if the name did not refer to the Virgin Mary (the church is dedicated to St Peter).
The Ladyspring is the most impressive of Ashburnham’s wells, but there are others. A couple of hundred yards to the southwest is Ironspring, a somewhat overgrown, artificially-dammed pond emptying into the lake and fed by waters which seep in from the slope above. The name suggests mineral content, but nothing is very obvious from the appearance of the water and there are no tell-tale red stains on the mud or undergrowth. Again, the history of this site is unclear: it isn’t named on old or current Ordnance Survey maps.
The Palladian Fountain is harder to locate (I stumbled upon it by accident). It lies south of the carriage drive and seems to be more modern than the Ladyspring, dating to a later phase of the development of the gardens. The outlet is a metal pipe set into a recessed semi-circular arch about four feet high, dripping water into a trough edged with shaped, dark bricks. On the left-hand, eastward side of the fountain, a stone wall curves away, supplied with what appears to be a low bench although the ground is now a bit boggy for sitting and contemplating, as well as the surroundings being somewhat overgrown. The Fountain doesn’t in fact tap a spring, but the overflow from one of the rivulets feeding the lake. The pink stone Shell Fountain, lying in the grounds to the north (and now dry) dates to the 1850s when water was channelled from springs to feed the gardens around the Orangery, next to the house.
The Ladyspring alone would justify a far greater fame for Ashburnham in hydrolatric terms. The combination of well-house and slightly tweaked and augmented topography creating a Romantic neo-pagan experience but one which aims at authenticity is unique in the UK and it would be fascinating to know more than just the speculations I’ve given here.
This is the 101th post and I’ve picked a famous sacred well association the head cult. Much has been commented on the connection between sacred springs and heads, in particular. The term ‘head cult’ often being applied to a number of wells, but in reality there is little to prove the existence of anything concrete as a cult or continued worship. Such is the most famed site associated with a skull: St. Teilo’s Well or Ffynonn Deilo in the Welsh county of Pembrokeshire, a noted holy man who has given his name to many wells and churches. This well itself is nothing particularly impressive nor archaeologically significant, consisting of shallow square chamber and fills a series of ponds. However, the legend is quite remarkable. Asaph Dar’s Wales and the Welsh notes:
“The faith of some of those who used to visit the well was so great in its efficacy that they were wont to leave it wonderfully improved. An old inhabitant of the district, Stephen Evans used to relate a story to the effect that a carriage drawn by four horses came over to Llandeilo. It was full of invalids from the cockle village of Penclawdd, in the Gower Peninsula, who had determined to try the waters in the well. They returned, however, no better than they came; for though they had drunk of the well they had neglected to do so out of the skull. This was afterwards pointed out to them by somebody and they resolved to make the long journey to the well again. This time, we are told, they did the right thing and departed in excellent health. Such is the great persistence of primitive beliefs that while the walls of the church have long fallen into decay the faith in the well continues in a measure intact.”
Skulls (and heads) have a long and possibly confused association with sacred springs. Yet how did a piece of this saint’s skull end up being separated from the body and be associated with a holy well. Tradition asserts that when Llandaff Cathedral was stormed in the 15th century by Owen Glyndwr, a local man, Sir David Mathew paid for its restoration and was given the skull as a gift by the grateful Bishop. This was then set into a reliquary.
For seven generations, the Mathew family owned this private relic, until it handed over to the Melchoir family who owned Llandeilo farm in the 17th century. By then probably as a result in changing Christian views concerning relics, the skull was stripped of its reliquary, although its then use a drinking cup goes against this view, unless there was a period when the relic was disregarded followed by a period when the family either realised a possible income source or became more ‘Catholic’. Whatever, this is how the skull became associated with a holy well for own the farm as the name suggests is a site associated with the saint.
The Melchoir family, where the water would be lifted from the well using the skull and according to Sir John Rhys, quoted in Bailey (2003) that it had to be an heir of Llandeilo. Jones (1955) in his Holy Wells of Wales notes that a man in 1906 stated that a boy and two other lads were cured of an illness by drinking out of the skull early in the morning and that he reported that the waters were botted by the family.
However, the use of the skull to drink from would have stopped around….when the skull disappeared only to be returned by the last of the family to Llandaff Cathedral in 1993 where it now remains. The search for the skull makes an interesting read, especially the lack of publicity wanted for it by its ‘owners’ and can be read in Bailey’s excellent volume.
What is interesting is that the cult of head worship should develop so late in this story. This suggests perhaps the widespread survival of such beliefs into the 1600s, unless there was a local well already using the skull independently? Much has been said about the possibility of the Melchoir families being some sort of well guardians preserving a cult, although this is unlikely and more wishful thinking by new age antiquarians. More likely is that the family identified the coinage in developing the ‘worship’. An interesting postscript is for an examination of the skull in the Office of Works volume on ancient and historical buildings in Pembrokeshire records of the skull:
“the cranium is very old, and is polished from constant handling. A part of one superciliary ridge remains, and this is of such slight elevation as to make it almost certain that this skull is that of a female, while the open sutures point to the same conclusion.”
Well there you go! Clearly, the combination of faith and the water worked more directly than anything is ‘relic’ could add if this analysis was indeed correct. Yet whatever the facts the use of a skull in such activities is an interesting form of water veneration.
I’ve posted this on the 8th as the first posts were on the 8th October.
St. Edith’s Well (TQ 552 586) lies below the Pilgrim’s Way in Kent and is the county’s most notable and best preserved sites. It is one of only two wells in the county which are dressed and the only one with a long lasting, over 50 years, tradition. this being St Edith’s procession held on the Sunday nearest to St. Edith’s Day.
A collection of cures
Chiefly, it was noted for its cure of eye complaints, and Watt (1923) also notes that it cured women’s barrenness. Belief in its curative power continued until the early 1900s. Its fabric is presumably ‘mediaeval’, and according to most authorities was once enclosed within a religious establishment, who were probably responsible for its upkeep. However there s neither archaeological nor written evidence of one but there is a recording in 1419 of a chapel of St. Edith the Virgin, which presumably was near the well and perhaps held a relic. Sadly, we do not really know.
A local saint
St. Edith (961-84 AD) was the daughter of the early Saxon king, Edgar and Queen Wulfthryth. Despite being nominated Abbess of Winchester, Barking and Amesbury, she refused these positions, disliking state affairs, preferring to commune with the poor and animals. This made her popular among her countrymen, who immediately recognised her saintly attributes. Despite this, her canonisation was not recognised everywhere, and Cnut’s scepticism, prevented her feast day being adopted in many areas. Those who championed her, used miracles at her tomb and her incorruptible thumb, as evidence for her saintliness and she was canonised, with her body being transferred to Wilton in 997 AD. She was said to have been born on land which is now covered by a property called the Box, but again it here is no evidence.
Evidence would suggest that her local popularity was deeply rooted in pagan belief! It is interesting to note, that an image of St. Edith was erected within the churchyard, which according to Lambarde (1571), prevented mildew and the blight of corn and wheat crops. Lambarde (1571) describes a ritual associated with the belief, and the following appears significant:
“Priest made uses to toll the greatest portion, and then to take all handful or little more of the residue the which after aspersion of Holy Water, and mumbling a fewe woordes of conjuration, he first dedicated to the image of Saint Edithe and then delivered it back to the parte that brought.”
This appears to be some persistence of an ancient fertility rite to a pagan deity, further supported by with the cure of cure barren women. Lambarde (1571) believed this, suggesting the Roman god, Robigus (after Robigo, a canker of corn), was the earlier cult focus here. It is recorded that similar ‘sacrifices’ were made to ‘him’, and so it seems likely that even the saint’s effigy could have directly replaced his and the church being built on his temple. The holy water, used in the ritual, may have originated from the well, and in pre-Christian days this may have been an important part of the ritual.
The well today
Today it lies within a small garden of remembrance forming a focal point for the original village. It is approximately three feet high, a round rag stone structure, with a series of steps approach the well. Access now, via these steps, appears impossible, the gate being locked. Watt (1917) notes that the structure was forlorn, and then repaired, and then forlorn again, but now appears in remarkable condition, being within recent years cleared of much of its overgrown ivy! To prevent rubbish falling into the well, brown wiring has been set across, both the well passage, and shaft. A considerable depth of water was present in 2013, and even after a long drought, in 1995. Indeed, I have been informed that it has never been known to dry up! A local belief conveniently ignoring that it was recorded dry at the beginning of this century! Today the well is the best it has ever been although sadly one cannot access the water directly due to the wiring up of the steps.
A modern pilgrimage
Even today, it is pleasing to note that the well is still an important and respected part of the village. It is depicted as the centre piece of a fine tapestry in the church, and on the village sign.
Two separate religious observations are undertaken on the day. In the morning, a procession, established in 1961, after the well was established. It passes through the village from the church is traditionally held on the Sunday nearest the saint’s day September 16th. Every ten years this forms part of a village wide celebration called St. Edith’s Festival, last held in 2011. A banner in the church maybe associated with an earlier 1920s revival perhaps as Mr. Taylor, a local associated with he present Catholic observation suggests.
Traditionally posies have been placed on the well during the service by the congregation, but in the last three years, since the 2011 festival, a well dressing has been undertaken place, last year’s was the Olympics, 2011’s was a picture of the village. This year’s was the harvest and delightfully it was rendered too with a good use of rhubarb seeds for a field and gravel for the signage. Next year’s is planned to be the First World War.
The artists being two local ladies, one of which would appear to have the tradition running through her veins coming from Elmton in Derbyshire, a village with a well dressing tradition, albeit a modern one. Subsequently, the frame is soaked in a paddling pool each year and taken to the village hall where on a table the two worked away using templates to create their art over the week finally finishing on the Saturday before.
I arrived just in time to see the board turn up wheeled on a barrow and just in time to give some extra muscle to set it up beside the well where it was duly staked in. The small group admired their handiwork and then it was covered for the arrival of the church and its congregation. A few minutes later this congregation, following their cross, but sadly no banner, and holding their posies, arrived. The service with the prayer which begins:
“Father each St. Edith’s day, we bring flowers to this well….”
Then the posies were placed upon the walls of the well, the service continuing with a reading of St. Edith’s hymn:
“At this well with great thanksgiving, blessed Edith we record, her short years of holy living, chaste handmaiden of the Lord, May we in her Lord believing, be like her his living sword.”
A thanks giving was given for the water and then the well dressing was revealed to the delight of the congregation. It was great to see that the well continues to be celebrated and the well dressing is a more than welcome innovation. The ceremony ends with prayers of intercession and a collect for St. Edith’s Day, Lord’s Prayer, hymn and blessing. It was a bit disappointing I felt that the support from the village was quite small, especially as everyone here seemed so inviting, but as the service was at 9.45, perhaps it was too early. I recommend moving the service an hour forward and more visitors may be attracted.
Christopher Bells’ Centenary History of the Catholic Church of St Thomas of Canterbury states that Father Phillips, Sevenoaks parish priest from 1916 to 1946, probably revived it around the 1920s. An elderly parishioner told Mr Taylor that the pilgrimage was going in the 1930s, but this was actually on the 16th, not the nearest Sunday as of recent. It is possible that as the village was home of Catholic convert Monsignor Robert Benson, son of Edward White Benson, Archbishop of Canterbury in the 1890s the observation may be older. I was told that now parishioners come from all part of the parish which covers the villages of Kemsing, Otford, Weald, Borough Green and West Kingsdown as well as Sevenoaks, some walking 8 miles as well journeying by car from London.
It is said that not only does her water cure eyes, but spiritual blindness, and Richard Bateman, the local Anglican vicar, attributed his conversion to Catholicism in part through her intercession.
Certainly the Catholic community may be aware of the need to start later. In the afternoon, a Catholic pilgrimage occurs from the nearest Catholic Church based in Sevenoaks. However, in 2013 although they planned to meet at 3.00, the weather had turned to the worse. The glorious weather of the morning being replaced by a penetrating drizzle, subsequently, the planned Holy Rosary, prayers and St. Edith’s hymn which were to be at the well were moved to nearby Otford Catholic church…hopefully the weather will be more favourable next year and they will return.
2011 well dressing image copyright Heather Porter
2012 well dressing image copyright Heather Porter
Many thanks to Mr. Antony Taylor, Jane Bowden and Erica Cole as well as the congregation of St Mary’s kemsing and especially Heather Porter
Images and post copyright Pixyledpublications.
The following is extracted with editing from The Holy Wells and Healing Springs of Derbyshire
The most famed holy and healing well in the county and one which has attracted considerable fame across the county is St. Anne’s Well (SK 058 734) but the town has a number of other springs including another holy well. It is said to be of certain Roman origin as Aquae Arnemetiae, or the waters of the goddess Arnemetia. This may have been a native cult although little is known of it. There may have been an unbroken use from Roman but nothing is known of it until the tenth or eleventh century, being recorded in the road to Buxton, Bathamgate meaning the road to the (warm) baths.
The first mention of the site as a holy well was by William Worcestre (1969) c.1460:
“makes many miracles, making the infirm healthy, and in winter it is warm, even as honeyed milk.”
When the site was dedicated to St. Anne’s is unclear; in 1461 Buxton was known as Bukston juxta Halywell and even in the sixteenth century they were usually called the Springs or Buxton Wells. However, Cox (1888) in work on Churches mentions that in the reign of Henry VIII offerings were made to St. Anne at the chapel of Buxton, but does not directly state the well was called this. However, it is likely that this chapel was associated with the spring. It was during Henry VIIIth’s reign that under the bidding of Thomas Cromwell the chapel was closed and the saint’s image removed and access to the waters prevented. However, a local family, the Cottrell family appear to have had ownership or indeed influence over the site. In 1542 Roger Cottrell contested a decision that the chapel should be used by the general inhabitants of Buxton, keeping it locked and preventing mass being said there. This would appear to have been a brief period of disuse for in 1572 a Dr. Jones wrote a treatise on The Benefit of the Auncient Bathes of Buckstones, stating that the crutches and other tokens of restored health were hung up on the walls of a public room erected by the Earl of Shrewsbury not far from the baths, suggesting that the chapel by this time had been destroyed. He mentions, also the legend that the image of St. Anne had been miraculously found in the well, and thus given it her name or as he refers to it as the “Cottrels tale or vayne inventions about St Anne found in the well” perhaps suggesting they were keen to re-establish an ancient tradition and used the saint to support it. In 1553 there was a petition against Roger Cottrell for allowing:
“youthful persons to wash and bathe them in the well called Saint Anne’s Well, not only to tipple and drink within the said chapel on the Sundays and holydays, but most irreverently also to pipe, dance, hop and sing….to the great disturbance of the inhabitants of Buxton”.
Whether this was a direct complaint about the Catholic nature of the visits or rather the rowdiness of the parties whichever Roger Cottrell was fined £100 at the Derby assizes. By the 17th century the site had become more established being included on Speed’s map of 1610 and being in 1667 on the northern itinerary of Celia Fiennes. The foundations of the chapel were uncovered in 1698. It is suggested that actual well appears to have remained lined with Roman lead, and surrounded with Roman brick and cement down to the year 1709. Short (1734) states that a Sir Thomas Delves, who after receiving benefit at the spring, had removed this old work and erected over it a stone alcove, or porch twelve foot long and twelve foot broad with stone seats on the inside. In 1836 a six foot stone structure, with sculpture of St Anne and St Mary, was erected by the Duke of Devonshire. Today people still collect the mineral water for free and is dressed, first recorded in the 1840s, discontinued in 1911 but restarted in 1925.
There were a number of springs which developed under the shadow of St. Ann’s however few are formally named (such as a cold bath on the Macclesfield road, said to be of the same temperature as the waters at Matlock). According to Campbell (1774) noted in Burton, (1977) Buxton’s Waters it was a:
“about twenty yards South-East of St. Anne’s, in another close lies Bingham, or St. Peter’s Well..”
This appears to be the earliest reference to Buxton’s lesser known holy well called St. Peter’s well, a site missing from every gazetteer including that by Harte (2008). The origin of its dedication is unclear and its secularised name is better known being Bingham’s or Leigh’s well (SK 058 735). (The later name being based on a person who had a notable cure from its waters.) This saint’s dedication suggests an early site, but if this is so it is surprising that no other authors refer to it. It was lined with white marble, and the temperature of the hot baths from it, was most accurately adjusted by an ingenious contrivance for the introduction of cold and hot water. When all this was lost is unclear. The well’s site is now marked by manhole cover in the road east of the crescent.
There was also a chalybeate spring on the North side of the river Wye, at the side of the turnpike-road behind the Crescent. Nothing appears to be recorded of its history.
These lesser springs disappeared largely without trace, but the great spring which brought both Romans and Regency, remains today.
From the car park one has an evocative if a little muddle journey to the ruins of Hollinshead Hall and its so called Holy Well, although it is well worth it. My knowledge of this curious well being drawn by an excellent article by Cramshaw in the now defunct Source. The house has virtually been raised to the ground all bar a few foot high walls criss-cross the field they lie and by far the most substantial remains is the holy well. As such it is the largest holy well in the county yet for certain is known regarding it.
It can be described as being built in the same sandstone rubble as the hall with a stone slate roof. The building a single cell is built into a slope from which the spring arises and is encapsulated by it. Either side a high walls creating a sort of forecourt with side benches with inward-facing chamfered piers with ball finials at the ends. The well house itself is quite an attractive building and is certainly not thrown up, having a symmetrical facade with chamfered unglazed widows which are fitted with spear-headed iron bars and clearly the building has never been glazed. The gable end has a large oval opening with a matching one at the rear. In the centre is a heavy board door with a chamfered doorway. This doorway unfortunately is locked baring any entrance to the well house.
Peering in through the windows one can see how strong the vaulted roof is, adorned by a pendent ball in its centre. The spring’s water flows from a crudely carved lion’s head, either side of a reredo of Ionic colonnettes, with a sunken stone tank beneath and each side a rectangular recess which enclose rectangular pools. There is a diamond-paved floor with a central gutter draining from this well or trough at centre of rear wall:
Abram’s “Blackburn (1877) is perhaps the first to state that the water was curative. However, anonymous quote in Nightingales History of Tockholes describes the well as:
“Here no less than five different springs of water, after uniting together and passing through a very old carved stone representing a lion’s head, flow into a well. To this Well pilgrimages were formerly made and the water which is of a peculiar quality, is remarkable as an efficacious remedy for ophthalmic complaints.”
Post-Reformation holy well or is it a diary or grotto
Local tradition accounts that there was a site here from Medieval times and indeed, that the name Hollinshead was derived from a version of holy well although O.E hol, for hollow is more likely although there is a Halliwell Fold Farm nearby being derived from O.E halig for healing. The pool with steps down above the well house may be the original well of course. The discovery of a hoard of medieval coins in 1970s would support the date and perhaps they were an offering. Another tradition is that the site was a resting place for pilgrims to Whalley Abbey and that the trough was used as baptistery, however, this would be more likely to be the spring above the well house.. It is probably a springhouse, a structure built over a natural source of water for the storage of dairy products and other foods that needed to be kept fresh.
Reculsancy, that is practising Catholicism in secret, was very prevalent in Lancashire and the well house does the bear the coat of arms of the Radcliffes . It would suggest why the structure is so ornate and suggest a 1600s date although many authorities suggest an 18th century origin. The site would be a secret baptistery and its design as a dairy ,would also help as well as being still function, certainly the presence of benches suggest this functionality. It appears to be too close to the house to be a garden folly such as a grotto! The suggestion of stained glass in the windows suggests something more significant discovered during the present stone roof’s construction. Indeed, the choice of the lion’s head is possibly that of the ‘Lion of Judah’, meaning Jesus providing rich and valuable water, although this is a common motif on many drinking fountains of course! Interesting, Cramshaw tells us that the site was in the 1980s the site of a well dressing, although what type is unclear and no other author has mentioned it as far as I am aware. Perhaps we shall never know the real origin of this delightful building.