At the source of the Oṣun Riveri is the Osun Shrine on the outskirts of Osogbo in southwestern Nigeria. Along the river are sculptures and sanctuaries in the last of the Yoruba’s sacred forests a site now identified by UNESCO as a World Heritage Site. The shrine is a major African pilgrimage site. The Osun/Osogbo grove is where the Osun goddess, also known as Yeye Osun or Oshun Kole resides. It is believed that the river arose when a frightened women turned into a river. The river is so named from Osun or Oshun a Orisha. Osun is a river goddess who was one of the wives of Sango who was the Yoruba God of Thunder noted for being able to give barren babies
The Oshun goddess
Described as the most complex of the Yoruba-Lukumí pantheon deities. It is believes that Oshun embodies the very substance of the water we drink with her fan abebe (deriving from the verb ‘to beg).Oshun Kole is described as:
“the gifted, beautiful, affectionate, sensual goddess of luxury, and pleasure, ruler of oceans and fresh waters…she is called the giver of life, mother of orishas, and possessor of feminine virtues; she guards women during pregnancy. Oshun walks many paths: she is given to industrious intuitions, manages finances, and loves music and dancing. As Kole Kole, Oshun represents children and the poor and needy. She typifies the ‘sensuous saint’ and controls the knowledge and art of sexuality and lovemaking in human pleasure and marriage. Legend has it that Oshun used her charm to lure Oggun out of his wild forest life into the city. She seduces other male Orisha lovers although her main consort is Shango. Ogun loves everything yellow and her ornaments and elekes (necklaces) reveal expensive tastes.”
Her association with fertility allows her to be described as the mother of many children and that barren women would visit the shrine. Due to the dispora from Nigeria travelling across the world the deity is recognised globally often associated with the Virgin Mary as in Cuba manifesting itself with their patron saint. Therefore pilgrims come from as far as Peru, USA, Brazil, Germany and the UK.
The development of the shrine
The shrine sits on the banks and is comprised of wooden deities who stare out from the inner sanctumUNESCO record that:
“A century ago there were many sacred groves in Yorubaland: every town had one. Most of these groves have now been abandoned or have shrunk to quite small areas. Osun-Osogbo, in the heart of Osogbo, the capital of Osun State, founded some 400 years ago in southwest Nigeria, at a distance of 250 km from Lagos is the largest sacred grove to have survived and one that is still revered.
The dense forest of the Osun Sacred Grove is some of the last remnants of primary high forest in southern Nigeria. Through the forest meanders the river Osun, the spiritual abode of the river goddess Osun. Set within the forest sanctuary are forty shrines, sculptures and art works erected in honour of Osun and other Yoruba deities, many created in the past forty years, two palaces, five sacred places and nine worship points strung along the river banks with designated priests and priestesses.
The new art installed in the grove has also differentiated it from other groves: Osogbo is now unique in having a large component of 20th century sculpture created to reinforce the links between people and the Yoruba pantheon, and the way in which Yoruba towns linked their establishment and growth to the spirits of the forest.
The restoration of the grove by artists has given the grove a new importance: it has become a sacred place “
The Nigerian Bulletin records its origins:
“The origin and story of Osun festival started over 700 years ago when a group of settlers led by one great hunter, Olutimehin settled on the bank of the river to escape the famine in their former dwelling place. Osun, the water goddess was said to have appeared to Olutimehin and requested him and his group to move up some bit to higher ground – the present Osogbo town. Osun pledged to protect the group and make their women fruitful if they would offer an annual sacrifice to her in return. The group agreed, vowing to sacrifice annually to the goddess trusting that she would honour her promise. Today, the annual sacrifice has gone past just offering sacrifices to a river goddess, it has become an international celebration of cultural events attracting people from all over the world.”
Account in https://www.legit.ng/830694-the-mysterious-river-dreaded-goddess-and-all-the-unbelievable-myths-about-the-osunosogbo-shrine.html describes the ritual upon reaching the shrine:
“Before our entrance to the courtyard, the Chief priestess was seen appeasing the gods of the river.”Yeye ooo, Omi ooo,” she said in Yoruba, meaning “My mother, water” just as a way of reverencing the goddess that resides in the water. On entering the courtyard, we were made to put away our shoes as it nobody was allowed to wear shoes inside the sacred grove, as our cameras were barred from entering the Osun shrine where sacrifices and requests are being made.”
The account records that:
“During our visit, a woman and her husband were seen with the chief priestess, going towards the river to appease the goddess of many children. And after whatever sacrifice that is made to appease the goddess of the river, our correspondents gathered that nobody is allowed to look back as anyone who does will live with whatever consequences that follows”
The shrine and its waters is therefore still an important site indicating the importance of Sacred pre-Christian waters to the modern often Catholic African and South American population. It was probable that originally the shrine demands a real watery sacrifice at times and that the association with August conveniently near the feast of Mary allowed a more convenient personal sacrifice to be given. Today despite slight modernisations it is a powerful place of faith.