Outside the town of Mogenstrup is one of the most famed holy wells of Denmark. A holy well dedicated to a saint whose following spread across the Danish world, a saint still remembered from Orkney’s to Denmark – St Magnus or Mogens, a Danish Royal Martyr. Local traditions believes that the well was a pagan sacrifice site taken over by the early church and dedicated to the saint. When this re-dedication was done is unclear but it was certainly since 1292 as the area around has been called Magnus torp since.
The best time to visit the well was Midsummer by the sick and weak. There were certain ceremonies which had to be adhered to, which ensure the water’s best powers were bestowed, such as the giving of swords, jewellery or even animals. When the church was established they encouraged the giving of money into a box , a block and hence called block money, in the church. This paid for the church, the poor and those who had to guard the spring. It is said that its waters were particularly officious at midnight and that pilgrims were so keen to take its waters that fights would occur. On is recorded between two women in 1670 from Næstved in 1670 who fought to reach the spring first and the fight resulted in a law suit of the 1st July 1670.
Another tradition to ensure that the water was effective was that the applicant should approach the well in silence. Thus, they must not greet people once they had been to the spring, avoid again meeting anyone on a return visit. Of course you could collect water for someone else but it must not be sampled on the journey back or else its power would be lost. It was also thought that the water flowed greatest and was more efficacious at midnight and bowing three times against the sun was also recommended.
The water could be used for internal diseases including cancer, insanity and mental illnesses, or external one which require the area being rubbed. In the donation of money it is said that odd money was needed for external diseases but also rags were would be used where the affected area would be rubbed or tied to and then left at the site. There are accounts of those suffering from arthritis donating their crutches to the church as firewood! Unlike British clouts it is said that the clothes were buried as local people would steal them or burn. Local accounts tell sometimes people came had their sight restored or even their life by virtue of the saint!
The Reformation here too had an impact and in 1536 there are records of the clergy trying to prevent people access the site. However, over a hundred years later, accounts of 1681-86 record that the weak and crippled were still visiting the spring donating 3-5 shillings. There were said to be several thousand at midsummer.
A turnpike was established in 1824 through the woods, the outflow was channelled into a fountain with a lion’s head which itself was restored by 1862 by the owner of a local brewery obviously tapping the water. However, the move was to have a negative impact on the supposed powers of the spring and numbers of visitors dropped.
The holy well still survives arising in a circular basin whose overfull continues to the lion’s head, however the vast concourse of pilgrims have long gone.
Down a lane away from the village in quiet solitude is St Ethelbert’s church at Marden. It is a church associated with a saintly legend and a location of particular interest for anyone concerned in water lore; for two pieces of local legend are recorded both with familiar motifs. Perhaps the most familiar one is associated with the strange find in a carpeted room to the left of the entrance. Here sadly dry is St. Ethelbert’s Well. The earliest record is John Duncombe 1804 Collections for a History of Herefordshire
“At the west end of the nave, defended by circular stonework, is a well about ten inches in diameter, about four feet below the pavement of the church, aspring supposed to arise from the spot in which the body of Ethelbert was first interred…. This spring is said to have been held in great veneration from the circumstance of the water retaining its purity, when overflowed by the stream of the Lugg, however muddy or impure.”
Charles Hope (1893) in his Legendary Lore of Holy Wells also records:
“MARDEN: ST. ETHELBERT’S WELL. THERE is a well in the church of Marden, Herefordshire. It is near the west end of the nave, defended by circular stone-work, about ten inches in diameter, and enclosing a spring, supposed to arise from the spot in which the body of King Ethelbert was first interred, and is called St. Ethelbert’s Well (Notes and Queries, 3 S., viii. 235).”
Jonathan Sant in his 1994 The Healing Wells of Herefordshire notes:
“Formerly to be seen at the west end of the nave, St. Ethelbert’s Well has recently been swallowed up by an extended vestry where it can now be seen incongruously surrounded by carpeted floor. The octagonal stone well-top is apparently late Victorian but the square top within the shaft below is doubtless older. Needless to say, the table which has been built over it is very modern and prevents small children from falling down the well”
The well is much as Sant describes although there have been recent talks of an improvement to make a more appropriate structure although that could possibly ruin this strange well. He records water in it as well, it was dry when I examined it in April of this year.
What is particularly strange is that once the wooden lid is removed this is a deep shaft well. Very few holy wells are such deep shafts, the majority being shallow springheads. Perhaps this suggests that this could as Sant suggests provide pure water even when the river was in flood. Its depth may also suggest a great age indicating how the ground level has risen as the years have built up more sediment. The church guide suggests it had a healing tradition but I am unable to find their source, similarly they claim the well and church were a place of pilgrim, likely but again no written evidence. Current pilgrims have thrown coins in the well as can be seen.
The legend of St Ethelbert’ or Æthelberht’s Well
Overlooking the village of Marden are the scant remains of Sutton Walls now a tree covered hillfort. Here local tradition record was the royal vill or sort of temporary villa of the great Offa of Mercia the scene of the saint’s murder.
According to the Anglo-Saxon Chronicle he was captured whilst visiting his bride to be Ælfthyth. Richard of Cirencester records that Offa’s queen Cynethryth convinced Offa that Æthelberht should be killed, although there is no evidence why. Although it was likely political as Æthelberht was King of the Angles and Mercia had domination over East Anglia and would be keen to stop any possible claimant under control.
One legend tells that he sat upon a chair with no seat a trap door of sorts, the whole being covered by a cloth and that he fell down the hole, a deep pit, his head being removed to ensure that he was dead. Another tells how he was smothered in his bed clothes. All accounts record his beheading, but some say that this was done in Offa’s presence. The body being hastily buried with the head beside the river below.
Discovery of the body and formation of the well
The legend is told in a panel upon the 2008 shrine to the saint in Hereford Cathedral but it is absent in the first version of the story which is restricted to the shaft of light subsequent tellings have mentioned the spring.
Issues with the legend
Considering the well head’s location and the church’s remote location it is more than likely that the church was placed here because of the well. However, does this make the well date from St. Ethelbert? Although, one would not miss to pour water upon the county’s famed legend, there are concerns that it might.
Hagiographers will notice that the religious features his martyrdom closely resemble that associated with the legend of St. Kenelm. This is best summarised by Edith Rickert’s 1905 article The Old English Offa Saga. II in Modern Philology Vol. 2, No. 3:
“At this point, however, mention must be made of another legend, that of St. Kenelm, which shows a curious relationship to the story of Ethelbert. The resemblances are these: a) Each saint, by the ambition and malice of a wicked kinswoman, was treacherously lured to his death and beheaded.’ b) The murderess in each case perished miserably by super natural intervention.2 c) Each saint had divine foreknowledge of his death in a dream or vision in which a beautiful tree was cut down and he himself was turned into a bird and flew up a column of light to heaven.”
Overall it suggests perhaps that the St. Ethelbert legend was a transfer from St. Kenelm (or vica versa) but if it was a concoction why? The other legend that of the Mermaid may give us a suggestion why….but we can discuss this in a future post.
Cambridgeshire is not a county readily associated with holy wells, however my research for volume VIII in my series suggests that there are a number of little known sites. Frustratingly, there a number of attractive and curious streams in the county, especially in the chalk regions, but their names tell nothing – often being called simply – the spring head or numerically named such as Nine springs. One such Springhead has given us a bit more to go on, its alternative names – Robin Hood Dip or bizarrely Giant’s Grave are far more tantalising.
A peacefully evocative site sandwiched between two rather busy roads. A delightful place in spring when its surrounding cherry trees are rich in blossom. Very little is written down about the spring head except that in modern terms it was used as a water source for the village and as a laundry! However it is surrounding landscape and legends which perhaps provide a clue.
Who is the giant?
All that is known is that the giant was buried at the site and that he is thought to be Gogmagog, the name also applied to nearby hills. One of these hills, Wandlebury, is a hill fort to which a considerable amount of confused history, mystery and legend has been attached. What is interesting is that when folklorists collected stories of the giant (or giants as it really is Gog and Magog traditionally) it was noted that they were buried nearby but not where. This is along with a golden chariot at Fleam Dyke.
It is worth recording the legends of this hill fort. They were recorded as early as 1219 by One Gervase of Tilbury:
“Osbert, a bold and powerful baron, visited a noble family in the vicinity of Wandelbury, in the bishopric of Ely. Among other stories related in the social circle of his friends, who, according to custom, amused each other by repeating ancient tales and traditions, he was informed, that if any knight, unattended, entered an adjacent plain by moonlight, and challenged an adversary to appear, he would be immediately encountered by a spirit in the form of a knight. Osbert resolved to make the experiment, and set out, attended by a single squire, whom he ordered to remain without the limits of the plain, which was surrounded by an ancient entrenchment. On repeating the challenge, he was instantly assailed by an adversary, whom he quickly unhorsed, and seized the reins of his steed. During this operation, his ghostly opponent sprung up, and, darting his spear, like a javelin, at Osbert, wounded him in the thigh. Osbert returned in triumph with the horse, which he committed to the care of his servants. The horse was of a sable colour, as well as his whole accoutrements, and apparently of great beauty and vigour. He remained with his keeper till cockcrowing, when, with eyes flashing fire, he reared, spurned the ground, and vanished. On disarming himself, Osbert perceived that he was wounded, and that one of his steel boots was full of blood. Gervase adds, that as long as he lived, the scar of his wound opened afresh on the anniversary of the eve on which he encountered the spirit.”
Of course the Knight and the Giant may be unconnected entities. I shall return to the Knight in a moment, but the giant in more recent times has created more legends. In 1955 archaeologist TC Lethbridge intrigued by reports by various 17th and 18th century antiquarians. The first of these, John Layer (1586–1640) wrote that he thought on the hill was a hill figure on the hill was believed with the work of Cambridge undergraduates being cut with ‘within the trench of Wandlebury Camp’ as does William Cole (1714–82) noting the ‘the figure of a giant carved on the turf at Wandlebury’) and Dr Dale recording it ‘cut on the turf in middle camp’ in the 1720s. Bishop Joseph Hall:
“A Giant called All Paunch, who was of an incredible Height of Body, not like him whose Picture the Schollers of Cambridge goe to see at Hogmagog Hills, but rather like him that ought the two Aple Teeth which were digged out of a well in Cambridge, that were little less than a man’s head. When I was a boy, about 1724, I remember my father or mother as it happened I went with one or other of them to Cambridge……always used to stop and show me and my brother and sisters the figure of the giant carved on the Turf; concerning whom there were then many traditions, now worn away. What became of the two said teeth I never hear.”
Lethbridge using rather unusual archaeological methods apparently revealed this figure, or as it turned out figures and although his work was criticised, traces of his giants remain and his theories have relevance to Cherry Hinton’s spring head. Does the name of the camp remember Wandle, an ancient God or Woden, a deity often associated with water?
Or does as the Cherry Hinton Chronicle of 1854 records in 1854 the discovery of Iron Age burials unearthed locally on Lime Kiln Hill whose the skeletons were unusually tall gave rise to the legend!?
The Footprint stone
Across the road from the spring head at the Robin Hood and Little John Inn is a curious stone. Rather unceremoniously placed by the car park the large round stone looks like a glacial erratic and clearly left there or placed there at some time. But why? A closer inspection reveals it to be hollowed out and the hollow is like a footprint or more like a shoe, around a size 11 as it fits my shoe well!
Carved foot print stones are widespread, often associated with prehistoric burial chambers as far afield as the Calderstone at Liverpool to a burial chamber Petit-Mont Arzon in Brittany, France. The Romans too carved such footprint stones inscribing them with pro itu et reditu, translating as‘for the journey and return’, the tradition would be to place one’s feet before and then after the journey as a good luck. Footprint stone and wells are not infrequently met. There are two in Kent for example, St Mildred’s or St. Augustine’s stone near Sandwich (now lost) and the Devil’s footprint at Newington once associated with a barrow (now lost). So there might be some precedence?
Does the Knight story have relevance here? Does the stone record an ancient ritual of kinship, that knight with his challenge record? There are Celtic and Pictish traditions of kingship or installation stones. These would work in the equivalent way as placing crowns on a King, by placing their feet in the holes would mean they had taken over the tribe and such places survive on the Isle of Man and Scotland (for more information refer to Janet Bord’s Footprints in Stone (2004)
Of course the hollow could have a much simpler explanation. It could have been made as a socket for a cross. However, here we have another interesting possibility, such holed stones called bulluans are associated with holy wells, and although none exist in Cambridgeshire it is tantalising that this could have been one.
Robin Hood in Cambridgeshire?
The alternative name, Robin Hood Dip is one which creates the most curiosity. There is no record of the folk hero in Cambridge, as far as I am aware, and this is well beyond Sherwood Forest! Taking to one side the possibility that it’s a site which achieves its name from story-telling about the folk hero’s exploits, explaining its name appears at first difficult. However, folklorists will have another explanation. Robin Hood is a commonly met name for an elemental, a fairy folk or spirit and what is more interesting he is often associated with springs and water places. See this article for more of an overview. Why is this name associated with springs? I have made various suggestions. Firstly, the associated with a sprite may discourage use – i.e a warning off children and secondly it may record an earlier cult presence. Perhaps the Giant and Robin Hood are the same folk memory of a deity which was celebrated at this spring. The name Thirs interesting is also associated with springs and water holes and this is Saxon word meaning possibly ‘giant’!
The Roman connection may also give support to this idea. It is known that the river Rhee, arising at Ashwell was associated with Roman shrines and a deity called Seunna. Was Granta a Roman deity? Is there an unwritten story which connects Granta and Woden which would explain the grave?
Piecing it all together
So what do all these different facets bring to the site at Cherry Hinton? The legend of Wandlebury is rather lacking of any location for a grave and its fairly obvious perhaps that the name is derived from the large grave shape size of the springhead. But does this remember a folk memory of it being dug? Or does it remember the presence of large bodies in prehistoric graves? The interesting point is that the island is called the grave according to local tradition. Did this mark a barrow?
Nearby on the Fulbourne Road were found three Bronze Age ring-ditches and Neolithic flint artefacts and Early Bronze Age pottery were found in the locality suggesting a long period of history. As well the Iron Age material earlier. It is very likely they settled here for the water supply and it is very likely it was culted.
What of the stone? Is it coincidentally located near the springhead or does it remember practices at the well? Is it a Kingship stone, a receptacle for healing water or a simple cross base?
There appears to be a considerable amount of unknown history to this simple, but picturesque, spring head and whilst we must always be wary of neo-pagan exaggerations, it does seem plausible that this is a long lost sacred spring. Sacred to the Saxons, Sacred to the Romans and perhaps long before this!
Read more of Cambridgeshire water lore in
Holy Wells and Healing Springs of Cambridgeshire.
If holy wells had a token head, a site which makes the non-enthusiast an enthusiast, it would be St Cybi’s Well. Why? Firstly, it is well signposted, secondly it is well looked after, thirdly it is well written about – why all of these? This is because St. Cybi’s Well is a rare thing amongst holy wells – a site looked after and managed by a heritage organisation – CADW. Now although this may make you think that means it is sanitised and over populated…nothing can be further from the truth. Despite its CADW guardianship this is still a remote site, one still needs to traverse footpaths, cross muddy fields and still possibly get lost. This still is not an ‘exit through the gift shop’ site – there are no facilities at all in fact. It remains an eerie isolated place. I have been there a number of times and even at the height of summer it is still has the feeling of a special place however many people are there. Its walls echo a time long gone and it is captivating in its ruination.
What greets the visitor is quite unlike other holy wells in many ways, for these are the remains of a commercial enterprise – a house which served a guardian, a bath, well and even a latrine – fortunately down river – useful but often missing today from most holy well sites! The house itself is thought not be that old dating from around 1750, but were thought to have been built by the then landowner a Mr. Price to capitalise on the known properties of the well.
Who was Cybi?
A Cornish man descended from it is thought a Roman military leader of minor King and his mother was thought to be the first cousin to St. David. A much travelled man said to have be taught religious studies in France and travelled even to Jerusalem and Rome. When he returned to Cornwall becoming the leader of a failed uprising which forced him to travel northwards, first to South Wales and then to Ireland. He was not received well in Ireland being involved in territory squabbles and ended on the Lleyn Peninsula settling and founding the church of Llangybi. The spring is said to have arisen in a classic fashion for holy wells, him striking the ground with his staff and the spring arising!
A catalogue of cures and a sacred eel!
The well here appeared to cure one of the widest range of ailments from warts, scrofula, scurvy, lameness to even blindness, one 18th century account telling of how a man blind for 30 years bathed his eyes for over three weeks in the well’s water and was cured. It was also used to love predictions. This was done by using a handkerchief. It would be floated on the water and somehow would tell who their love would be. For those unable to get the cure on site, water was often placed in bottles or casks. Jones (1954) in his Holy Wells of Wales even tells of smugglers being challenged by exercise men claimed the casks contained not spirits but holy well from this well!
A specific ritual arose for its use involving patients having to bathe in the water once or twice a day for seven to ten days, then sleep in a room in the adjoining cottage where they would be given the well’s water mixed with an equal volume of sea water. If the patient became warm in their bed then the treatment had worked. Offerings were left at the church being placed in a box called Cyff Gybi and crutches were found around the well; left by the cured.
Whilst I was at the well, I slipped and ended up falling into it – not enough to get too wet but enough to hopefully awaken its famed resident – it still remained. This was a large eel. It was claimed that if the patient stoop bared legged in the water the eel would effect a cure by wrapping around their legs. No eel appeared. Apparently it was removed some time ago and it was said the spring water’s powers was lost!
Certainly, what has not been lost is the magic of this site. Even on a day when the rain is torrential, there is still a mysterious and tranquil air to this site. Worth a restful moment on any day.
Boughton is a curious place, a place of desolation and decline…it’s ancient parish church lies ruined, now a distance from its settlement, its famed fair forgotten, its great Hall gone and its estate overgrown and little visited. It is a settlement which is associated with a number of noted ancient wells –two of which can be visited and one as yet mysteriously untraceable.
The easier to find is that at the ruined church of St John’s. Called St John’s Well it lies in its shadow creating a picturesque scene of forlornness. Despite a supposed medieval origin, the church is first recorded in the 13th century, its first mention is by Baker (1822–30) in his History of Northamptonshire:
“St John the Baptist, whose name is appended both to the church and the spring in the church yard.”
In William Whellan’s 1849 History of Northamptonshire states:
“St John’s spring which rises from the east bank of the church yard formerly furnished the element for the holy rite of baptism, but now supplies the water for culinary purposes at the fair’”
This fair was what the settlement was famed for. Being a three-day chartered event being established in 1351. It was focused around the feast of St John the Baptist suggesting it was based on the patronal festival of the now ruined church. Nothing is left of the fair, its last vestige, the Shepherd’s Race turf maze cut on a triangular piece of church overlooked by the church, survived to the first world war when practice trenches were cut across it, obliterating in once and for all, although some accounts suggest it survived until 1946.
Beeby Thompson (1913–14) in his Peculiarities of Water and wells describes it as:
“enclosed on all sides but one by stone local sandstone apparently like the main portion of the church the opening to the east being approximately one yard square. The covering slab had on it a cross fleury.”
This covering slab I have never been able to find, perhaps the earth has built up too much since, yet it was pleasing to see that on a recent visit the site had even improved since my first in the 1980s, when the nettles and bramble were virtually enclosed upon it and the church. This was certainly the experience of Mark Valentine who in his 1985 Holy Wells of Northamptonshire noted:
“When I last visited this site, the Spring trickled into a ditch which was chocked up with abandoned refuse. With a little imagination, this spot could be the scene of a wayside park, with appropriate displays to recall its past glories. As it is, it remains tumbledown and forlorn.”
Perhaps they heeded his word? Now the grass it kept short and the water flows quite freely the outflow protected by a curb of stones. While it is not exactly a country park, there are information boards and it is more cared for. Yet despite the tidy up there’s still a rather otherworldy feel when one peers inside the chamber and the place does have an unquiet feeling – perhaps because of the ghost of Captain Slash! (but that is another story)
Even more otherworldly is the Grotto Well or Petrifying Spring, a spring which arises within a simple Grade II listed Grotto in the estate of Boughton Hall. Although grotto is perhaps a rather too enticing name for what is basically a limestone rubble hemisphere beneath an earth mound and consisting of unadorned stone walls. The whole structure interestingly seems devoid of cement or mortar. It was constructed by William Wentworth, the second Earl of Stratford around 1770. The spring itself being the supply for his artificial lake which lay at the bottom of the valley.
However he could have improved upon an earlier structure for a local A local legend tells that when Charles I was imprisoned at nearby Holdenby House in 1647 he visited the spring. He is said to have bathed in it and used the grotto as a changing room. This suggests that there was a structure predating the 1770s one ascribed to it. Indeed this association may have started when the King was sent a skull said to have been petrified in the waters of the well. The Northamptonshire Mercury of 25th August 1810 records:
“At Boughton is a spring, conceived to turn wood into stone. The truth is that it doth encrust anything with stone. I’ve seen a skull bought thence to Sydney Sussex College in Cambridge, candied over with stone…The skull was sent for by King Charles the First to satisfy his curiosity and again returned to the college.”
Although it was indeed loaned to Charles I and according to a letter written by the college to the author Simon Scott to The Follies of Boughton Park it still survives. It is housed in a wooden box dated 1627. However before head cult theorists get too excited the origins of the skull are dubious. The skull of what appears to be a child’s, are Cretian not Northamptonshire! Was it a hoax to support a project to advertise the well or a simple mistake. Is it the correct skull? Is the association with Charles correct or is it a confusion with the bathing legend. All in all it is a confused story.
Charles Kimbell in 1946 in the Boughton Parish magazine wrote that:
“The spring cascaded into a gloomy pond whose waters were black through layers of decomposing leafage…about 50 years ago my father made a water pit under the archway and piped the stream out of the little wood and down the valley. And so the petrifying spring was incorporated into the village xx system without apparently any ill effects on consumers.”
Our third and final peculiar water source, to quote Beeby’s phrase, was the Marvel-Sick. The account by topographer John Morton (1712) Natural history of Northamptonshire recording:
“THIS spring is in Boughton Field, near Brampton Bridge, near the Kingsthorpe Road; it is of great note with the common people. It never runs but in mighty gluts of wet, and whenever it does so, it is thought ominous by the country people, who consider these breakings out of the spring to foretell dearth, the death of some great person, or very troublesome times.”
This is a common folk motif based on geology, a woe water, the name sick referring to an old English word for stream still current in Derbyshire and Nottinghamshire place names. Where was this stream? It is impossible to say with any certainty however Brampton Bridge to the west can still be found and the road which crosses it does go to Kingsthorpe. No spring is marked on the map but there area does have a number of streams. Is this one? Of course in a way this a spring we don’t want to find, warn as it does of war…another word of warning should you go looking for Boughton’s surviving springs don’t go in high summer…as your journey to find the grotto well will involve a considerable fight against the undergrowth.
For the last twelve months I have been cataloguing some of the rich sacred spring heritage of Sardinia. For the final post, perhaps the most fascinating sacred spring site has been saved until last!
For buried beneath a fairly ordinary Sardinian church is a unique marvel – an incredible relic of ancient times and a testament to the continuation of tradition and spirituality. For 1000s of years, generations of Sardinians – whether Nuraghic, Roman, Punic, Islamic or Christian have worship here at the sacred spring.
The site is in a remote place – remote in every sense – geographically, culturally and of course historically.
The village of San Salvatore is a typical example of a temporary religious centre, such as we discussed at Santa Christina. A village of 130 houses which apart from one house the village is completely deserted centred around its church of Jesus the Saviour. So deserted in fact that I feared that the church would only be open at specific times, as my guide book suggested, but I found it was. When the church is certainly open and the village comes alive in the first Saturday of September. It is then that the village swarms with attendees of the naked foot race. This race called the Corsa degli Scalzi or Barefoot Race is said to commemorate an 1506 Arab pirate attack that forced nearby town of Cabras to run to San Salvatore to hide their Saviour’s statue. The local faithful still run this dirt track in their white tunics and stone torn feet.
It is very tempting and indeed it is likely that this ritual arose from some ancient practice at the site. This is especially considering the autumnal date of the custom which would tie in with harvest festivities which certainly were celebrated by ancient civilisations. Essentially considering the name Saviour is the same as Sin Salvatore’s church. Is this some ancient processional ceremony to celebrate the harvest?
The site today
Arriving at the church, it is a fairly typical whitewashed Italian church. Not remarkable but pleasing to the eye, a simple two aisles divided by pillars. The only clue to anything unusual is that it is arranged in an unusual orientation. This is a clue to what lies within as its arrangement was presumably done to enclosure the original sanctuary.
It is this sanctuary that we have come here to see. A rectangular hatch in the floor opens up to reveal a step set of stone steps into a dug out chamber, made of sandstone and brick faced with cement – a hypogeum – not the only one in Sardinia but unique in what we find within.
The steps lead us to three separate chambers set off a central room in essence a cross arrangement. The shapes of the chambers with their dome roofs suggest partly a Roman origin. However, it is thought that the construction of the church may have removed any firm evidence.
The central chamber is dominated by a large square well, now dry. Originally this well’s water was obtainable from the church above by an aperture now closed up. The furthest chamber is the most interesting and looks like the most significant religiously. Here is found a small table altar, a semi-circular drainage hole and circular well shaft. It is this well which is believed to be the original nuraghic site, although the evidence is scant. There is certainly no lack of evidence for its usage. This evidence being on the amazingly preserved drawings or graffitos on the walls around the chamber. The wells were dry in August but that is probably significant I could not confirm it but I would reckon that the spring was flowing in September at the time of the festival.
The site was probably a baptistery, and the dedication of the church to Jesus may well suggest this, but it is also possible that the hypogeum was the shrine of some saint. There is support for this for in Mamertina prison, a healing well was said to have used by Saints Peter and Paul, the water of which came from the catacombs of St Elena. Early baptisteries were incorporated into church and it was only after the risk of persecution was lifted that they became separate buildings.
Father Aleu, in his Successos Generales de laisla de SardeIra” (Avvenimenti generali della isola di Sardegna), sud- isla de SardeIra (Events General of the island of Sardinia) is one of the first to describe in the 1684:
“San Salvador, whose church remains until now, and has an underground until now, and has an underground chapel in the form of sanctuary, and in the area above the ground you can see the ruins of brick and cloisters, which document the existence of a Monastery.”
“Vi era un altro insediamento-scrive Fra Alèu nel 1684-non lonta- This monastery is thought to date from 1070 and suggests an importance to the settlement long since past. However, dig beneath the surface and this history is indeed very ancient. Near the village itself are Roman remains. It is en route to the city of Tharros and along the Sinis lagoon are Neolithic towns. The presence of Neolithic towns along the banks of the lagoon Sinis have left not only obsidian tools and more significantly a Mother Goddess. Clearly a very significant location.
Once in the chamber one is struck by the otherworldly nature. Sardinia has many great relics. Indeed its domus tombs are amongst the most awe inspiring. However, there is something more atmospheric about this site. Part of this is due to the artwork and inscriptions – graffiti – from over the ages on the walls.
These inscriptions span the centuries from 16th century back to Roman. Drawn in charcoal for the most part, although some have traces of colour, probably ochre, they are Arabic, Latin and Greek in origin. Inscriptions some of scripture, some harder to decipher, animals, deities and various scenes, laying upon each other in a confused manner, even modern graffiti. Like many places more recent visitors have made themselves known such as a Fin Salvatore in 1920 which is on the central well. These modern inscriptions sit with older Latin writings from the fourth and fifth century AD although deciphering them is now difficult. It is possible that these and the Greek letters represent some sacred alphabet perhaps a magical incarnation or spell. This may explain the appearance of RF written eight times on the walls. One interpretation maybe that this is someones’s name – Rufus – another that it may derive from a Semitic prayer barb-pe-aleph (ip ‘), meaning ‘heal, save, give health.’ And may have been associated with the use of the well water.
Those who visit churches will be familiar with bosses, poppyheads and misericords showing strange animals often personifying human evils. It is probable that some of these images fulfil the same function. For on the walls are geese, dogs, and large cats. More interesting and again emphasising its classical origin there is a winged horse probably Pegasus and fish. Fish of course represent a secret code for Christians and their presence on the wall must be seen as significant. It emphasises the chambers use as a secret place of worship. Although one might question why did these early Christians not remove the signs of pagans – perhaps like in many other places they were attempting to assimilate not destroy signs of earlier worship.
Another possible link with the well is the presence of ships. Some of these are of local, fassoni reed boars, and possible ancient origin. Others are three mast ships, a feature which does not belong to the ancient world, but is rather typical of the sixteenth and seventeenth century. So why are they here?
It is probable that the ships were part of some long held ritual here. Boat images are quite regularly found in the nuraghic settlements as votive offerings and it is tempting to think that these drawings are part of a continuation of this. Particularly as one shows a human figure with their arms raised to the sky presumably as prayer. Were these drawings part of a long lost tradition of going votives to a sea deity perhaps linked to the waters of the well, which may have due to the proximity of the lagoons be saline? What is also interesting is that tradition may have connections to the Greek graffiti here – the Island of Delos – where God was born and ships shipwrecked. The fact that this tradition survived possibly from prehistoric times is remarkable.
Greek iconography is very evident in the shrine. Two particular deities are present – Hercules strangling the Nemean lion. This image is particularly interesting considering the role the cult of Hercules had in the late period of the Roman empire when he vied for religious dominance against Christianity, Mithrasm and other cults. However again, Hercules was adopted by the early Christians as a metaphor. His many labours recognised as a divine struggle akin to that central to the story of Jesus and indeed he was often called Soter – the Savior. The dedication of the current church may possibly be a link to another association preserved from ancient times.
The most remarkable graffiti is that of two female figures standalone, with corona radiata on their head: identifying them as a deity. Over their heads of the figures they are painted their names: VENVS and MVRS – Venus and Mars. Above them is a winged cupid with AMOR. As a result the interpretation of this scene is the love affair of Venus and Mars. One which was particularly significant in the political and religious life of Rome: The city founders, Romulus and Remus, were said to be the children of Mars and descendent from Aeneas, a descendent of Venus. What is interesting again is the context Venus was another cult, popular at the times of emergent Christianity, and its survival here like Hercules is perhaps an attempt to adopt it perhaps as Mary.
However, there is something more significant in line with the spring arising here. The appearance of the Venus is akin to that of a water spirit and indeed, Venus was a Goddess associated with water – being associated with the waves and the morning dew.
Move forward the centuries to the Arabic inscription in the third room, which reads translated as:
“In the name of God the merciful and gracious. There is no God except Allah …. and that Muhammad. It testifies that heaven actually exists and Hell really exists.”
This may date from 1509 a time when the Sardinian coast was subject to many Arab incursions and a landing occurred not far away at Cabras. The presence of the inscription may be due to the site being used as refuge or maybe a prison!
There is so much to observe in these four small chambers remote from the outside world. However what is clear that they remain a rare relic from an ancient time and a fascinating testament to how the faiths through the millennia had one central theme – the sanctity of water.
Well which well is it?
This is without doubt the most famous site of all holy wells and indeed Christianity in the county, now the main well is perhaps a modern one (we’ll explore its provenance below).) but in the ruins of its famed Abbey are ‘Wishing Wells’ clearly holy wells, the more likely location of the 1061, vision of Mary by Richeldis de Faverches,, who built a replica of the Holy House where a spring arose. The site became a major pilgrimage centre and its waters were said to be good for curing headaches and stomach complaints. If these are the original site, after Reformation, they denigrated to mere wishing wells.
Howeverr, most attention quite rightly is directed to the well enclosed in the modern Anglican shrine. A site which now could be classed as one of the most active holy wells in the country, Our Lady’s Well. This is the central focus of modern veneration at Walsingham. Its history is difficult however. It was during the digging for a new shrine in the 1930s.The shrine needed a well and this was convenient Consequent excavations revealed did suggest that this well was Saxon and thus as near the site of the original Holy House thought to be the original shrine. However this is difficult to prove. Now enclosed in a modern shrine, above this well an effigy of Our Lady with infant Jesus, is placed in as a centre piece of this modern arched alcove. Local belief suggests that an underground conduit connects these wells to the Anglican well of Our Lady, their source.
Little Walsingham was once the greatest shrine in Europe, with commoners and kings all following the many pilgrim paths to the shrine of ‘Our Lady of Walsingham’. It had a sacred image of the Blessed Virgin Mary, a phial of her milk, and many other spurious relics, not to mention the two miraculous wells in the priory garden.
In 1061 the Lady Richeldis de Faveraches, wife of a Norman lord of the manor, is said to have had a vision at Walsingham in which the Virgin Mary appeared to her, took her in spirit to the ‘Sancta Casa’ – the home of Christ in Nazareth – and commanded her to build in Norfolk an exact replica. Aided by angels, the shrine was built of wood and later encased in stone, the site being ordained by the welling up of two clear streams at the behest of Mary. Rumours began to spread that Mary herself had fled there before the threat of invasion, and then that the chapel was the Sancta Casa itself, transported there by angels.
A priory was built there in the early 12th century, which the scholar and theologian Desiderius Erasmus visited in 1511, writing in his ‘Colloquy on Pilgrimage’:
“Before the chapel is a shed, under which are two wells full to the brink; the water is wonderfully cold, and efficacious in curing pains in the head & stomach. They affirm that the spring suddenly burst from the earth at the command of the most holy Virgin”.
The wishing wells
These are circular wells and a square stone bath can be found near an isolated remnant of Norman archway in the priory ruins, in the grounds of a house called Walsingham Abbey. The wells are most noted nowadays for being wishing wells. If you remain totally silent within about 10 feet of the water, you should kneel first at one well, then at the other, and make a wish as you drink – but tell no-one what you wish for. Committing one error in the ritual is said to be fatal.
Another version mentions a stone between the wells on which one must kneel with their right knee bare, then put one hand in each well up to the wrist, and drink as much of the water as you can hold in your palms. Provided your wishes are never spoken aloud, they will be fulfilled within the year. On my visit I was keen to try it out…but found the wells covered by metal grills.
More on Norfolk’s holy wells in the forthcoming Holy Wells and healing springs of Norfolk coming in 2016.
Many of Sardinia’s great sacred wells are found in romantic lost landscapes, dry arid fields or high in mountainous regions. However, one of the island’s most significant and evocative is found a few feet away from a busy main road, tucked behind an industrial estate and often overshadowed by the multiply planes which fly in and out of Olbia airport from across Europe. This well enclosed in a quiet oasis is that of Sa Testa, well sign posted from Olbia.
Discovery and artefacts
The site’s discovery was in the 1930s by shepherds seeking out water supplies. It was subsequently excavated by Franceso Soldati in 1938 and subsequently restored in 1969 by Ercole Contu. The work revealed bronze objects, such as dagger hilt, bracelet, ring as well as fragments of cup. These pieces placed the date of the site in line with the other sacred springs of the island, around Bronze Age end, 1200-900 BC.
However what is perhaps more amazing is that this was a site of continued ritual use. A fashioned juniper wood figurine was the most interesting. This was believed to present the archaic Greek God of Xoanon, a sort of phallic like large headed and little or in this case no armed deity, which dates from the 7th to the 6th centuries BC. Also found were thymiateria, Greek incense burners. Both finds clearly indicate that the site was of ritual use by a group unconnected ethnologically to the Nuragic people who built it. These was probably deposited by Phoenicians whose black painted bowls and pitchers were also found. However, the finding of jar and cup fragments from the Tuscan pottery production of Arezzo, emphasizing the influence of the Romans and their continued use if not for cult reasons than for domestic use.
The ritual use by the constructors is suggested by the curious circular courtyard arrangement, 8 by 7 metres approximately around the well. This appears have been constructed so that some ceremonial activity could be undertaken with the circle with the ‘priests’ or secular members watching from around the edge from a bench. One view is that this site like that of Santa Christina was aligned astronomically with the moon’s minimum and maximum declination during its 18.6 year cycle.
Although not the largest of the wells, it is nevertheless substantially made. Built with cut granite and shale blocks it covers a length of around 18 metres and consists of a circular courtyard,, trapezoidal entrance, staircase and a tholos roof to the spring head. A second tholos has been lost but steps still ascend to it.
Seventeen steps make their way to the clear deep water and to descend into them divorces you immediately from the hot air outside. The channel down through which these steps descend is made of shale and is narrow. What is also interesting in a paved over channel which goes from above the source and round into the source. Such an arrangement is usually stated to be collect run off but with a strong source even today in August why collect rain or condensation water? Was there another source above or was something else poured into the channel to collect in the well? Perhaps we shall never know what happened in this enclosure but despite the industrial and urbanisation around one can just feel the separation from modern times in the cool confines of its chamber.
“ Qui non dat quod habet, Dæmon infra vide 1414.”
“He who here does nought bestow, The Devil laughs at him below”.
So reads the inscription on the Monk’s Well, a very surprising survival of an ancient well in the urban sprawl of Liverpool. The well consists of a sandstone structure surmounted by a cross. The well although dry and the pipe very worn, it has been converted into a flower bed, which has probably hidden the steps down under the arch to the water.
The name Monk’s Well derives according to Moss’s Liverpool Guide (1796) because there was:
“an old monastic looking house…inhabited by some religious order, who might thus request alms towards their support”.
The 1768 Wavertree Enclosure Act notes that the owner of Lake House was annoyed that villagers were crossing his land to reach the water and such that a:
“through tunnel, channel or stone gutter, lately laid and made … to carry and convey water from the said well or basin into another … lately also made, erected and built, in the highway or road adjoining”.
This improvement may have lead to the local belief of secret tunnels, significantly leading to Childwall Abbey or Priory. The name is significant of course ‘child’ probably deriving from Old Norse keld for spring and may have been an earlier name for the spring.
Baines’s 1825 Lancashire Directory of 1825 states that:
“Here is a well at which charitable contributions were anciently collected, bearing the following monkish inscription in antique letters.”
Of that legend it was a belief locally that all visitors should on taking its waters, give alms. If they did not the Devil who was chained to the bottom of the well laughed and presumably some misfortune befell the person although that is not stated. The well was also said to be a pin well so perhaps pins were given as an alm once the monks moved away?
Interestingly, when Hope (1893) with his Legendary lore of holy wells visited not only was the cross lost, but only the following inscription was visible ‘Deus dedit, homo bibit’. Which means ‘God gives and man drinks’. This was apparently, was added at that time and can be seen above the original inscription.
A pump was installed in 1835 by the Select Vestry and they also ordered the constable to lock it up during church services on Sundays so that gossiping women would not visit the well instead. When piped water arrived in the 1850s the well fell into disuse. The site was at risk when a local building firm demolished nearby Monkswell House but happily its importance was recognised and it did not disappear under some semis! In 1952, the structure became one of the first of Liverpool’s Listed ‘Buildings’ and is easily found following the road which leads off to the left near the old lock up ( itself worth a visit and another remarkable survival ) off the B1578 road out of Liverpool. Turn the corner from North Drive into Mill Lane and you will see it.
“If I throw thys ryche swerde in the water, thereof shall never com good, but harme and losse.’ And then sir Bedwere hyd Excalyber undir a tre… But King Arthur repremands him and sends him back.
So Bedevere went to the watirs syde. And there he bounde the gyrdyll aboute the hyltis, and threw the swerde as farre into the watir as he myght. And there cam an arme and an honde above the watir, and toke hit and cleyght hit, and shoke hit thryse and braundysshed, and than vanysshed with the swerde into the watir.”
So retells one of the most famed scenes recorded in Arthurian romance: the Lady in the Lake taking the mighty Excalibur back. A scene which may remember folk memory of Celtic and possibly pre-Celtic traditions of depositing sword votive offerings such as those held in the British Museum. A number of sites have revealed sword and other weapon deposits as far apart as Flag Fen (Cambridgeshire) to Carlingwark (Scotland). In some places there are considerable amounts. An intriguing window into the Celtic world and the ritual significance of water has been revealed for example at Llyn Cerrig Bach. Here 150 objects dating from second century B.C to the first century A.D have been extracted. Many of these objects show damage before their deposition, i.e rendering them useless although some were quite servicable, a common theme it appears.
One particular location which too has been clearly significant is the river Thames. This received a wide range of weaponry and other military equipment over at least a millennium, such as early Iron Age spearhead daggers still in their sheaths, at Chelsea, Wandsworth, Barn Elms and even a bronze helmet with bulls horns found era near Waterloo Bridge.
A bronze shield found in 1985 in a gravel pit near the River Thames at Chertsey with a pair of double-headed snakes beside the handle suggesting a higher level of working then would usual.
However, most famed of these votive river offerings is the Battersea Shield, a rare relic from the Iron Age. It is delightfully decorated being highlighted by 27 framed studs of red enamel associated with three roundels, with a high domed boss in the middle of the central one with a large stud in its centre. A reprousse technique having been used with engraving and stippling being used. Its rich decoration with polished bronze and red glass as well as the thinness of its iron suggests that it could never have been used for defence and clearly was purely ceremonial or made for depositing as a sacrifice for appease some deity. The Battersea shield is remarkable in being made of metal as many shields found in burial sites are wood and had very few metal parts. It is probable that the Battersea shield was only the front part of the shield and there is evidence of rivets on it.
But why leave something like this? Did it prepare the giver for the afterlife? Was there a god or goddess for war associated with water? Perhaps we shall never really know. Certainly, there is evidence in the currency of giving something very valuable to appease a deity. What is interesting is despite consideration that this an Iron Age custom, there is evidence that such depositions continued into the fourteenth century and as such gives greater evidence for folklorists suggesting that customs and ceremonies can survive from prehistoric times perhaps!